Day 1210: Le Morte D’Arthur

Cover for Le Morte D'ArthurIt’s time for my review for the latest Classics Club Spin, and the spin assigned me Le Morte D’Arthur to read by the end of April.

If I’d been aware of how long this book is, I might have thought twice about putting it on my Classics Club list. It’s not the length that made it so difficult to read, though, but the repetitiveness of one knight after another getting into a joust and smiting right and left.

I tried hard to finish this book, but after a month of reading it (interrupted by a few other books), I decided to skip to the last two books (out of twenty-one), which deal with Lancelot’s break with Arthur and the end of Arthur’s kingdom. All told, I read about 400 pages.

I actually began eager to read the original of the Arthurian legends or at least as original as we have. The introduction to Cassell’s unabridged edition says that we don’t know the source of the book, although Malory makes many references to “the French book.” The structure of the book suggests that it may be a compilation of every Arthurian story known to Malory, as it is full of chapters about fight after fight. In fact, after a while I pictured Britain, particularly Cornwall and Wales, as seething with wandering knights, who, when they encounter one another, go immediately into battle. I was also struck by how often they don’t recognize each other even when in the same room and presumably out of armor.

There are some sustained story lines, such as the tale of Tristram and La Beale Isoud, and they are interesting, but they’re broken up and sprinkled in among the fights, and of course they too involve fights.

Women are fairly negligibly treated, not surprising for the time despite the patina of chivalry, which is supposed to suggest otherwise. We don’t see much of them or learn what they are like. In fact, Arthur says at the end of the book that he isn’t as upset about losing Guenever as the loss of his knights “. . . for queens I might have enow, but such a fellowship of good knights shall never be together in no company.” Which might give us a clue why Guenever preferred Lancelot. In any event, characterization isn’t a strong suit of medieval literature.

I would say that this book is best for dipping into rather than trying to read all at once. It is an important work of literature, and sometimes the language is quite charming. However, its form is very foreign to us now and shows us just how far literature has come. (There is a glossary in the back of the version I read, which unfortunately I didn’t discover until the end.)

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Time for Another Classics Club Spin

Classics Club announced its 17th spin on Thursday. If you want to participate, you must post a list of 20 books from your Classics Club list by March 9. The spin will select a number corresponding to one of those books, which they challenge you to read and post a review by the end of April. Here is my list of 20 books:

  1. The Tenant of Wildfell Hall by Anne Brontë
  2. August Folly by Angela Thirkell
  3. La Morte D’arthur by Thomas Malory
  4. The Duchess of Malfi by John Webster
  5. Mansfield Park by Jane Austen
  6. I Go by Land, I Go by Sea by P. L. Travers
  7. Oroonoko by Aphra Behn
  8. Aurora Floyd by Mary Elizabeth Braddon
  9. Kenilworth by Sir Walter Scott
  10. The Good Soldier by Ford Madox Ford
  11. Owls Do Cry by Janet Frame
  12. The Haunted Hotel by Wilkie Collins
  13. Mary Lavelle by Kate O’Brien
  14. The Expedition of Humphrey Clinker by Tobias Smollet
  15. Three Weeks by Elinor Glyn
  16. This Side of Paradise by F. Scott Fitzgerald
  17. Madame de Treymes by Edith Wharton
  18. My Mortal Enemy by Willa Cather
  19. The Viscounte de Bragelonne by Alexandre Dumas
  20. The Heir of Redclyff by Charlotte M. Yonge

There are lots of books on this list that I know nothing about, and only three that I have read before, so it should be an exciting spin.

 

Classics Club Spin #16

Cover for The ShuttleI have finished my first Classics Club list, although I have not yet reviewed all of the books. I’ll be reviewing the last one sometime this month, at which time I’ll post my second Classics Club list.

For a Classics Club spin, we post 20 books from our list and then a number is chosen, which determines the book we will read for the spin. Since I’ve finished my list, I will have to make up my spin list from my second, unposted list. So, here are my selections for the next spin, for which I will post a review by December 31.

  1. August Folly by Angela Thirkell
  2. The Duchess of Malfi by John Webster
  3. The Tenant of Wildfell Hall by Anne Brontë
  4. Letters from Egypt by Lucie Duff-Gordon
  5. The Sea Hawk by Rafael Sabatini
  6. Mary Lavelle by Kate O’Brien
  7. The Lark by E. Nesbit (This is sort of cheating, because I have already read and reviewed this book, just not before I made up my second Classics Club list in June.)
  8. West with the Night by Beryl Markham
  9. Owls Do Cry by Janet Frame
  10. Edward II by Christopher Marlowe
  11. Mansfield Park by Jane Austen
  12. The Viscount de Bragelonne by Alexandre Dumas
  13. The Mystery of Mrs. Blencarrow by Mrs. Oliphant
  14. Kenilworth by Sir Walter Scott
  15. Oroonoko by Aphra Behn
  16. Madame de Treymes by Edith Wharton
  17. The Priory by Dorothy Whipple
  18. Consequences by E. M. Delafield
  19. Aurora Floyd by Mary Elizabeth Braddon
  20. Vanishing Cornwall by Daphne du Maurier

 

Day 1130: The Idiot

Cover for The IdiotI think I read The Idiot when I was about 13, and all I remembered of it was that at a tea party, someone stood on the table and shouted. That memory turned out to be false, but they might as well have, and I can’t imagine what my very young self must have made of this novel. My very old self is having trouble enough with it.

The thing about Dostoevesky—and I have read most of his novels, although none for a long time—is that his characters always behave as if they’re in a frenzy. The Idiot is no exception.

Prince Myshkin returns to Russia from years in Switzerland, where he was being treated for epilepsy, to inquire about a legacy he may receive. On the train he meets Rogozhin, who has just inherited a fortune and is on his way to pay court to Nastasya Filippovna Barashkova. Nastasya Filippovna was orphaned as a young girl then brought up by the lecherous merchant Totsky to be his concubine. Now Totsky wants to marry someone else, but Nastasya Filippovna has threatened terrible scenes if he does. Totsky is scheming to marry her off to Gavrila Ardalionovich Ivolgin for the sum of 75,000 rubles.

When the prince meets Nastasya Filippovna, he is so overcome with pity for her that he becomes irrevocably bound with her fate. Later, when he falls in love and wants to marry Aglaya Ivanovna Yepanchin, his entanglement with Nastasy Filippovna ruins him.

Prince Myshkin is completely naive, yet at the same time very perceptive. Dostoevsky wanted to portray in him a simply good man and show how this goodness is overcome by the cynicism and self-interest of society. At times, he is compared to Christ or to a knight.

Although Myshkin is a sympathetic character, he constantly has bad things done to him—is betrayed, libeled, slandered, and cheated—by the people he knows, many of whom are just plain annoying. There is Lebedev, for example, who constantly tells people how vile he is, then behaves badly. And Ippolit, a student dying of tuberculosis, who sneers at the prince, even while accepting his hospitality. Are people really like Dostoevsky’s characters? you may well ask. Of course, Myshkin forgives everyone.

Did I like this novel? I hardly know. I do know that it is one of the last books on my first Classics Club list.

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Day 1104: Vanity Fair

Cover for Vanity FairVanity Fair is a reread for me for my Classics Club list. It has been a long time since I’ve read it, though, and I was curious about whether I would have the same reaction to it.

The novel, of course, is Thackeray’s famous satire of society that follows two English girls through their launches into society and later lives. One is Amelia Sedley, the gentle, conventional heroine who has been the only girl to befriend Rebecca Sharp, the charity student. Amelia is only eager to marry George Osborne, her long-betrothed fiancé. Rebecca is determined to be a success and marry a rich man.

It may be perhaps predicted that good, honest Amelia suffers much more than conniving Becky. Early in the book, Amelia’s marriage to George is threatened when her father loses his fortune. Even though we readers already know that George cares for no one more than himself, Amelia goes into a decline.

Meanwhile, Becky makes her own improvident marriage. She runs off with Rawdon Crawley, the heir to her employer’s fortune, thinking that she will be able to bring Miss Crawley around.

The early days of both marriages are set against the backdrop of the battle of Waterloo, as both George Osbourne and Rawdon Crawley are serving officers. With them is George’s best friend, Dobbin, who falls madly in love with Amelia at first sight and helps her throughout the novel.

As a girl, I thought Amelia was completely insipid and admired Becky Sharp. But it must be said—Becky has no morals. This time through, although I still found Amelia a bit tiresome, I found myself sympathizing more with Rawdon and Dobbin.

In any case, this novel is often funny and always entertaining. Although Thackeray presents us with a conventional heroine for the time in Amelia, you can’t help thinking he had some admiration for the unsinkable Becky. By following her adventures, Thackeray shows us the foibles of members of polite society: the fights over inheritance, the sycophancy, the treatment of people as their fortunes wax and wane.

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First Classics Club List Complete!

I have not posted all of the reviews yet, but with Henry VI, Part III, I just finished all of the books on my first Classics Club list. I completed my list almost two years ahead of my posted deadline of February 12, 2019!

That means that I am ready to post my second Classics Club list! I will continue to show my first list in my Classics Club page until all my reviews are posted, and then I will copy it off to a subsidiary page and post my new list.

My first list was an experiment, as I had never belonged to a blogging club before, so many of my selections were old favorites that I hadn’t read in a long time. I think a brief summary of my reading for this first list is called for.

Top Five Books from My First List

Least Favorite Books from My First List

My New List!

I can’t seem to bring myself to make a list of 100 books at a time for the Classics Club. I think it is more satisfying for me to finish shorter lists faster than to finish a long list more slowly. This list is different from my previous one in that I have only previously read about half a dozen of the books on this list. I am posting this list on June 30, 2017, and I plan to finish it by June 29, 2021.

I made this list some time ago, so I see that I have already finished one of the books, The Lark, by E. Nesbitt.

15th Century

  • Le Morte D’arthur by Thomas Malory (1485)

16th Century

  • The Prince by Machievelli (1532)
  • Edward II by Christopher Marlowe (1592)
  • Titus Andronicus by William Shakespeare (1588-1593)

17th Century

  • Oroonoko by Aphra Behn (1688)
  • The Duchess of Malfi by John Webster (1612-13)

18th Century

  • Evelina by Frances Burney (1778)
  • The Expedition of Humphry Clinker by Tobias Smollett (1771)

19th Century

  • Mansfield Park by Jane Austen (1814)
  • Aurora Floyd by Mary Elizabeth Braddon (1863)
  • The Tenant of Wildfell Hall by Anne Brontë (1848)
  • The Haunted Hotel by Wilkie Collins (1879)
  • The Brothers Karamazov by Fyodor Dostoevsky (1880)
  • The Viscounte de Bragelonne by Alexandre Dumas (1848)
  • Letters from Egypt by Lucie Duff-Gordon (1865)
  • The Mystery of Mrs. Blencarrow by Mrs. Oliphant (1890)
  • Kenilworth by Sir Walter Scott (1821)
  • The Heir of Redclyff by Charlotte M. Yonge (1853)

20th Century

  • The Shuttle by Frances Hodgson Burnett (1907)
  • My Mortal Enemy by Willa Cather (1926)
  • The Old Man’s Birthday by Richmal Crompton (1934)
  • Consequences by E. M. Delafield (1930)
  • Vanishing Cornwall by Daphne du Maurier (1967)
  • This Side of Paradise by F. Scott Fitzgerald (1920)
  • The Good Soldier by Ford Madox Ford (1915)
  • Owls Do Cry by Janet Frame (1957)
  • The Winged Horse by Pamela Frankau (1953)
  • My Brilliant Career by Miles Franklin (1901)
  • Three Weeks by Elinor Glyn (1907)
  • The Lady and the Unicorn by Rumer Godden (1937)
  • Harriet by Elizabeth Jenkins (1934)
  • Joanna Godden by Sheila Kay-Smith (1921)
  • The Victorian Chaise-longue by Marghanita Laski (1953)
  • Greenery Street by Denis MacKail (1925)
  • West with the Night by Beryl Markham (1942)
  • Anne of Avonlea by L. M. Montgomery (1909)
  • The Lark by E. Nesbit (1902)
  • Mary Lavelle by Kate O’Brien (1936)
  • The Last of the Wine by Mary Renault (1956)
  • The Sea Hawk by Rafael Sabatini (1915)
  • Memories: From Moscow to the Black Sea by Teffi (2016, but written around 1920)
  • Challenge by Vita Sackville-West (1923)
  • Miss Buncle’s Book by D. E. Stevenson (1934)
  • August Folly by Angela Thirkell (1936)
  • I Go by Land, I Go by Sea by P. L. Travers (1941)
  • Madame de Treymes by Edith Wharton (1907)
  • Because of the Lockwoods by Dorothy Whipple (1949)
  • The Priory by Dorothy Whipple (1939)
  • The Wise Virgins by Leonard Woolf (1913)
  • To the Lighthouse by Virginia Woolf (1927)