Day 1053: The Loving Cup

Cover for The Loving CupI continue to feel less satisfied with the Poldark series as it comes to the end. The only reason I have kept reading at this point is because I have read 10 of the 12 books. Also, I would like to see what happens to Ross and Demelza.

Unfortunately, I am less interested in their children, and the last two books have been mostly about their oldest two. Neither Jeremy nor Clowance seems well defined to me, and both of them have poor judgment.

Early in this novel, Clowance, whose only good judgment of late has been to break off with Stephen Carrington, reconciles with him. They marry shortly after, and Stephen looks to be getting himself into George Warleggan’s clutches financially.

Jeremy is regretting the unlawful act he committed with Stephen and his friend Paul. It is 1813, and there is still war on the continent, so Jeremy has decided to enlist to get away, especially from thoughts of his unsuccessful pursuit of Cubey.

While Ross is away serving his last term in Parliament, Demelza makes a discovery that causes her to have doubts about Jeremy. She begins wondering if she and Ross have done a good job of raising their children.

I will read this series to the end in the hopes that Clowance and Jeremy will get some sense. Unfortunately, only the older characters who have been with the series from the beginning seem to have much depth.

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Day 1048: Hide and Seek

Cover for Hide and SeekHide and Seek is Wilkie Collins’s third novel. It acknowledges inspiration from Charles Dickens and shows his influence in plot and characterization. It is getting closer to the works he is most famous for but is certainly not his best.

The novel begins in the household of Valentine Blyth, an artist. Valentine is a breezy, accepting person with an invalid wife. The one thing he fears to lose is his adopted daughter, Madonna, whose parentage is unknown. He is afraid that someone will come and take her away sometime.

Valentine himself took Madonna from the circus. She had been taken in at birth by Mrs. Peckover, a clown’s wife. Her mother died having her, refusing to speak of her people and leaving behind only a bracelet made from two people’s hair. Madonna later became a deaf/mute after an circus accident, and Valentine saved her from harsh treatment by the circus master.

Valentine has befriended a careless young man named Zach, with whom Madonna is in love. Zach in his turn befriends a rough man named Mat, who has just returned from adventures in the Americas. Here Collins’s geography breaks down a bit, for Mat speaks mostly of adventures in South America and claims to have been scalped in the Amazon, when scalping and some of the other things he mentions are definitely North American. It is through the identity of Mat that the plot thickens.

In this novel, Collins’s characters tend to be one-dimensional, and his plot is often easy to predict. Several times I was ready to quit because I felt the novel dragging. This was probably because, although most of the characters are likable, I wasn’t particularly interested in them. I think Collins is at his best in mystery plots (although this one has its mysteries), and his characterization eventually becomes much richer.

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Day 1046: The Whale: A Love Story

Cover for The WhaleIt seems as if I’ve read several novels lately where Herman Melville is a character or Moby Dick a theme. Such is the case with The Whale, a story about the relationship between Herman Melville and Nathaniel Hawthorne.

The novel begins with a literary outing. Melville is invited along with Oliver Wendell Holmes and others by Melville’s editor while Melville is vacationing in the Berkshires. The reclusive writer Hawthorne is also of the party, and Melville falls in love with him at first sight.

Melville is also dealing with Moby Dick. He is supposed to be nearly finished with it, but he is unsatisfied with the ending. His philosophical and literary discussions with Hawthorne inspire him to massive rewrites. In a way, Ahab’s pursuit of the whale represents Melville’s pursuit of a meaningful relationship with Hawthorne.

For, there is a mutual spark, but as a friend, Jeannie Field, tells Melville, Hawthorne is a Puritan. While Melville tries to get Hawthorne not to deny his true feelings, Hawthorne is determined to avoid an entanglement. Yet, he gives Melville a certain amount of encouragement.

Although I enjoyed this novel very much, I felt it was a little too modern in this regard. I couldn’t imagine a man in the mid-19th century trying to convince another man not to deny these feelings and being so obvious as Melville was at times. At this time and place, Melville would have been trying to hide it. I also have no idea what basis in reality this story has, although the author cites affectionate letters between the two. I was not sure whether Beauregard was aware that at this time men expressed themselves more affectionately than they do now. It’s fiction, though, which does not require any basis in reality.

Still, with language sometimes echoing that of Moby Dick, with really exceptional dialogue, with a fully realized Melville in all his self-absorption, this novel was really a treat to read.

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Day 1042: Troy Chimneys

troy-chimneysTroy Chimneys is a curious novel. Written in the 1950’s by a contemporary of the modernist Elizabeth Taylor, Troy Chimneys is set in the early 19th century and feels more like a Victorian novel except for the complexity of the morality. As such, I preferred it over the spare works of Taylor.

Miles Lufton is an ambitious man, but he has no fortune or title, so he must make his own way. He becomes a member of parliament and so must please people and curry favor.

Mr. Lufton sees himself as two different people. The ambitious, political Lufton who is always diplomatic and conciliating and has sometimes had to associate with the wrong people he calls Pronto, after a character in a play. The more retiring, thoughtful Lufton, who has no particular ambition and tends to the naive he calls Miles. Lufton dreams of the day when he has earned enough money that he can retire to his home, Troy Chimneys, and become wholly Miles.

After only one adventure in romance when he was young, Pronto has been content with flirtation (well, almost). But he finally realizes he is in love with a serious, intelligent spinster named Caroline. Caroline has had the perception to notice the two Luftons, but she has a different opinion of them than Lufton does.

The introduction of my Virago edition states that, like Taylor, Kennedy was examining virtue in this novel. That seems rather stuffy sounding, but the novel is quite enjoyable, full of ironies.

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Day 1040: The Orchardist

Cover for The OrchardistOn Tuesday, I meant to say that my review was my tribute to Valentine’s Day, with an unusual story of love. Well, here is another one.

Talmadge is a man with a sad history. When he was still a boy in 1857, his father died in a mining town in Oregon. He and his mother and sister then walked all the way along the Columbia River to Wenatchee, Washington. They created an orchard from the start of two diseased apple trees.

Talmadge’s mother died in 1860, when he was 12, and after that, he and his sister Elsbeth were everything to each other. But then when he was 17, his sister went into the forest to gather herbs and was never seen again. Talmadge searched for her for years.

At the opening of the novel, Talmadge is in his 40’s. He has lived his subsequent life alone, working his orchard. He has friends, particularly Caroline Middey, an herbalist, and Clee, a Nez Perce horse trader whom Talmadge and Elsbeth were friends with since they were children. Every year, he and his men stop by with their horses to work the harvest.

One day in town, Talmadge spots two wild young girls who appear to be homeless. Although barely in their teens, they are both pregnant. They find their way to the valley where Talmadge has his orchard, and he leaves food out for them. Although he tries to make a shelter for them, they stay outside. The girls are named Jane and Della.

Talmadge hears someone is offering a reward for the girls. He does not intend to turn them in but travels to see what type of person this Michaelson is. He finds Michaelson runs a brothel for young girls and is an erratic opium smoker.

Michaelson eventually finds the girls, just after they have their babies. The result is disaster. Della has lost twins in childbirth, but the resulting tragedy leaves Jane dead and Jane’s child Angelene alone with Talmadge and Della.

The rest of the novel is driven by Talmadge’s sense that it is his duty to keep Della and Angelene safe. But Della is a wild girl whose actions are controlled by her unrecognized grief. She learns how to ride and finally goes off to work with Clee and his men. But she proves too unruly for them.

This novel is deeply interesting and beautifully written. It is also incredibly sad. It is about the loneliness of the human condition, about our ties to one another, about responsibilities to other people.

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Day 1034: Ulverton

Cover for UlvertonBest Book of the Week!
We’re now more familiar with novels written as related short stories, but Ulverton was written in 1992 and may be the first novel of this kind. The novel covers 300 years of English history and is set in one place, the fictional village of Ulverton. Other hallmarks of this unusual novel are that each chapter is written in a distinctly different voice and the chapters are written in different formats, from a tale told in an inn to the captions from a photographic display to the script of a documentary.

In 1650, the novel opens with the return of Gabby Cobbold from the Cromwellian wars. He meets the narrator, a shepherd named William, on his way home, but William does not have the courage to tell him that his wife, Anne, thinking he was dead, has remarried Thomas Walters. Gabby explains that he was away earning money to support the farm. Gabby disappears, and William is sure that Thomas and Anne killed him. But three hundred years later, Gabby gets his own back against a descendent of Thomas.

In 1689, the foolish Reverend Brazier tells the story of a strange night out on the downs, when he, William Scablehorne, and Simon Kistle were making their way through a snowstorm. As related in his sermon, they were apparently attacked by the devil and Mr. Kistle went mad.

Diary entries made in 1717 reveal a farmer’s preoccupation with improvements to his property and begetting an heir. Since his wife is ill, he does not touch her but begins trying to impregnate the maid.

In 1743, Mrs. Chalmers writes letters to her lover while shut away after childbed. Apparently having read her letters, her husband gets his doctor to keep her isolated longer.

And so it goes, stopping in about every 30 years, so that we sometimes hear of characters again. Through time, names are repeated and the story of incidents changes.

On occasion I had problems with the vernacular, although I tried to stick with it. The most difficult stories for me were the 1775 letters of Sarah Shail to her son and one side of the 1887 conversation between a man plowing and two boys. Sarah Shail is illiterate and is dictating her letters to John Pounds. However, this chapter has its own humor as Sarah is writing to her son Francis, who apparently answers her abusively, to the indignation of Pounds, who begins adding threats to the letters. Pounds’ spelling is so bad, though, that the letters are sometimes incomprehensible. In the case of the plowman, his dialect is so thick that I kept rereading parts of it but was unable to understand very much.

This was just one chapter, though. Overall, I found this novel deeply original and interesting. The countryside is so integral to the story that it features almost as a character. The writing is lovely, and the novel contains a great deal of drama and humor.

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Day 1033: The Miller’s Dance

Cover for The Miller's DanceThe Miller’s Dance is the ninth Poldark novel in a series of 12. Perhaps 12 books is too many for a series, or perhaps the shift of focus more to the activities of Ross and Demelza’s children is a problem for me. I just feel a winding down of interest fighting with the feeling that, having read so far, I should finish the series.

It is 1812, so there are important historical events on the horizon, but they only receive a modicum of attention. Instead, we are focused on the love affairs of the two oldest Poldark children, Jeremy and Clowance.

In the last book, Jeremy proposed to Cubie Trevanion and was not accepted. He assumed it was because his lineage wasn’t good enough, but when he confronts her brother, he finds that what he needs is money.

Jeremy doesn’t have money, although he seems to have a future as an engineer. The person who has money is George Warleggan, and he sets about arranging a marriage between Cubie and his son Valentine.

Clowance betroths herself to Stephen Carrington, who for my money is not to be trusted for a minute. Ross and Demelza do not interfere but insist on a long engagement.

Although the novel contains brief accounts of the wars in Europe and with America, as I said before, it concentrates on Jeremy and Clowance. They are not the vivid characters their parents make, and I’m not that interested in their romances or in Jeremy’s steam engines, which we hear about in great detail. Three more books to go, but I probably wouldn’t read them if I didn’t want to know what happens to the family and if I hadn’t already bought the books.

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