With The Vanishing Futurist, I have now finished reading all the shortlisted books for the 2017 Walter Scott Prize for Historical Fiction. So, it is time for my feature where I decide whether I think the judges got it right.
Sometimes, it’s easy for me to decide which book I thought was best. In this case, though, it’s pretty difficult as almost all the entries are really good. With the Walter Scott Prize, however, I think one aspect that should be looked at is how well the novel evoked the time and place, and that sometimes helps with my decision.
Let’s start with the winner, Days Without End by Sebastian Barry. I enjoyed this book, about two gay soldiers during the Civil War and the Indian Wars. I remember hearing criticism about the cross-dressing angle, which some readers thought wouldn’t be accepted back then. But I could buy this in communities that were solely male. My problem with the novel was that none of the characters seem fully developed, even though I liked them.
The weakest entry for that year, I thought, was The Gustav Sonata by Rose Tremain. Set in postwar Switzerland and about a boy and his friendship with a Jewish violinist, it felt to me as if it was holding a pane of glass between me and the characters. Also, this novel seems pointless until the very end.
All the other books do more with the time and place than The Gustav Sonata, but perhaps, although I liked it very much, Mothering Sunday by Graham Swift does less by virtue of the type of book it is. Even though this book, about how the events of one afternoon define the course of one young girl’s life, was one of my favorites, I’m not going to pick it just for that reason. It is a very short novel, and as such doesn’t have as much of the flavor of time and place, but it is an excellent book, extremely well written.
The Good People by Hannah Kent is based on a true crime and explores the deep superstition in a 19th century Irish village that leads to tragedy. This novel does a very good job of evoking time and place as well as building a sense of dread.
Similarly, The Vanishing Futurist evokes the heady times of idealistic young people after the Russian revolution as well as the dangers. Although the aims of the scientist in this novel may seem to be absurd, I don’t think they were an exaggeration of the types of things the Soviets were working on at the time. I felt it does a better job of depicting the time and place than several other novels about the aftermath of the revolution that I’ve read lately.
Notice I haven’t used the word “but” about either of the last two books, which is why my decision is so tough. These are both really enjoyable novels that handle their time and place well. And there is one more, Golden Hill by Frances Spufford. It is set in 18th century New York and evokes a city with mercantile origins and interests that still bears the influence of its Dutch founding. As far as plot is concerned, it is the most ambitious, about a young man who arrives there with a secret agenda. It is humorous and has a picaresque adventure story, so I decided to pick it, but nearly made this decision a three-way tie.