Review 2428: The Green Road

The Madigan family centers its activities around Rosaleen, the mother. At the beginning of the novel, she takes to her bed, assuming the horizontal, after she learns her favorite son Dan is planning to become a priest. The family has to run itself around her until youngest daughter Hanna, the narrator of this chapter, returns from a visit to her brother with information that gets Rosaleen out of bed and on the attack.

In that chapter we learn of the tangled history of the village. The Considines, Rosalee’s family, always looked down on the Madigans, Rosaleen mocks other families for their pretentions, but it’s true that she married below her, and the Madigans have never made very much money. But Rosaleen doesn’t care about money. She would like her husband to fix a few things around the house, but he generally doesn’t.

The next chapter picks up eleven years later in 1991 New York City. This chapter is narrated by Greg Savalas, a gay man deeply in love with a man named Billy. Dan Madigan comes on the scene, and although he is not out, he begins an affair with Billy. This is the time when men are dying of AIDS, and Billy is suddenly stricken. Dan is not helpful.

Eleven years later we encounter oldest son Emmett, who is an aid worker in Mali. This chapter details his insufficiencies in his relationship with his girlfriend Alice.

The Madigans all seem to reserve themselves from deep attachments. The second half of the novel is set in 2005, when they all gather together for Christmas for the first time in years because Rosaleen decides to sell the house. It’s clear that everything is still revolving around her. We get more insight into Constance, the oldest daughter, who has her own family but is the only one left in the area to meet Rosaleen’s demands. Finally, there is Hanna, an actress who is not coping well with motherhood.

I always feel that Enright’s characters are absolutely believable and her families fraught with realistic complications. Her descriptions, too, of the Western Ireland scenery are gorgeous.

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Review 2338: My Death

The unnamed narrator of My Death is a novelist who has been unable to write since her husband died a year ago. She has been isolated in a house in the west of Scotland. She decides to try biography instead and chooses the figure of Helen Ralston, whose accomplishments as an artist and writer were overshadowed by her tumultuous affair with her mentor, W. E. Logan, another artist.

When she begins to look into the subject, she finds that all of Ralston’s books are out of print but Logan’s are not. However, Ralston is in her 90s and eager to meet her and share her journals and photos. The narrator is struck with unease, however, when she sees a painting by Ralston entitled My Death, a supposed landscape of an island that is really a painting of the artist’s most intimate parts. As she continues her research, she keeps finding odd echoes of her own life.

This novella is described as gothic, but I wouldn’t exactly call it that, although it is unsettling and weird. Important to Tuttle is the theme of, as the Introduction by Amy Gentry puts it, “the erasure of women’s authorship by men.” That is certainly at work here, as she based some of the details of Ralson’s life on that of Laura Riding, an American poet and lover of Robert Graves, who accused Graves of stealing material.

This is an involving story that at first seems straightforward but gets odder and odder. I found it fascinating. Tuttle is in general a science fiction writer, but despite that I may look for more by her.

I received this book from the publishers in exchange for a free and fair review.

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Review 2337: The Berry Pickers

Joe’s Mi’kmaq family travels every year from Nova Scotia to Maine, where his dad is the foreman of the berry pickers and the rest pick berries, too. In 1962, Joe’s little sister Ruthie disappears from where they left her sitting on a rock eating a sandwich near their camp. The police don’t give them much help. The family searches for her for days but does not find her and continues to look for her in subsequent years..

Now an older man dying of cancer, Joe has lived most of his life away from the family, blaming himself for events caused by his anger. He has finally returned home to die, surrounded by his family but not Ruthie.

While Joe looks back over his life, we hear from Norma. As a child, Norma had dreams of another home, another mother, a brother named Joe. She also had an imaginary friend named Ruthie. But her mother told her it was just her imagination—her neurotic, overprotective mother who barely let her go outside. It’s not too hard to guess Norma is Ruthie.

Every other chapter is Norma’s, as she grows up, sometimes receiving clues about her identity but never really going there.

The novel is built around whether Norma will find her family before Joe dies. There’s not much doubt about that, although the ending is touching.

I thought the idea behind this novel was an interesting one, although in Norma’s mother Peters has invented a monstrous creation, as proved by her family keeping her secret to pacify her. I think we’re supposed to feel some sympathy with this grief-stricken woman, but I absolutely didn’t, and even though her husband is a sympathetic character, I couldn’t fathom his actions.

That aside, Peters’ writing is fairly commonplace, with lots of clichés. I found her characters flattish. I was a little disappointed in this one.

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Review 2330: Somebody’s Fool

Somebody’s Fool is the third of Richard Russo’s North Bath novels. The first two (Nobody’s Fool and Everybody’s Fool) centered around the character of Donald “Sully” Sullivan. Sully is now dead, but he is certainly not forgotten, and in a way, you could say that this novel also centers around him.

These books of Russo’s are equivalent to ensemble cast programs. There are lots of characters, and the novel moves among them.

Peter Sullivan, Sully’s son, is one of the main characters. He is a college professor who spends his weekends fixing up, first, the house his grandmother left him and now, the one Sully left him. He enjoys this work, but his plan is to leave North Bath as soon as he finishes and sells the second house. On the other hand, he’s always planned to leave but doesn’t seem to do it.

Peter is surprised to receive a visit from his son, Thomas, whom he hasn’t seen since he and his wife split up when Thomas was a boy. Thomas doesn’t seem to mean well, even though he is friendly, and we learn later that he has a plan but not right away what it is. Thomas, we learn from letters to his brother, is eaten up with resentment against Peter for deserting them (even though his mother didn’t want to have anything to do with Peter) and with jealousy against Will, the oldest brother, for getting to go with Peter.

(Just as a side note, I can’t be sure, but I think this is the first time we ever hear that Peter has two other sons besides Will. They are certainly convenient for this plot but make Peter’s lingering resentment against Sully for deserting him and his mother even harder to understand.)

Another important character is Doug Raymer, the ex-Chief of Police of North Bath. North Bath has recently been dissolved as a political entity and absorbed by nearby Schuyler. Raymer was offered the job of Chief of Police there but decided to retire. He is mostly missing Clarice, his girlfriend and ex-officer, who wanted to take a break and has accepted the Chief of Police job. When he meets up with Clarice, he finds she is dealing with a breakdown on the part of her twin brother, Jerome, and the misogyny and bigotry (she is Black) of her new staff, led by Lieutenant Delgado.

Raymer gets involved with a case of identifying a badly decomposed suicide at an abandoned estate when his old officer, Miller, calls him for help. Clarice hires him as a consultant and asks him to take Jerome as a housemate.

Another main character is Janey, a woman with a history of poor choices in men. Although a lot of her space is occupied with her relationships with her mother (whom she resented for years for carrying on with Sully outside her marriage) and her daughter, she ends up being key because of her relationship with Delgado.

Russo’s characters tend to be self-doubting and over-think things. Usually I enjoy him, but in this novel some of these tropes became a little repetitive. And at times they slowed the action to a halt. For example, Peter hears someone moving around in his supposedly vacant house. He grabs a baseball bat but then Russo takes two pages to have him wonder who it is (including Sully’s ghost) before going up to see. Eventually, the plot gets going but before that, there were times that I got impatient.

Russo is a really good writer, though, who creates complicated and mostly likable characters. It seems like he wanted to use this novel to wind up the fates of his sometimes comic North Bath characters. If that was his intent, he succeeded.

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Review 2314: Bolla

Arsim is an Albanian literature student in Pristina, Kosovo, in 1995 when he meets Miloš, a Serbian medical student. They are immediately attracted to each other and soon begin a torrid affair. Although he is young, Arsim has already been married for four years to Ajshe, and on the day he consummates his relations with Miloš, she tells him she is pregnant.

The affair continues through Miloš’s graduation, but shortly thereafter, it becomes too dangerous for Albanians to stay in Kosovo, and Ajshe and her brother arrange for the family to leave the country. As soon as he learns Arsim is leaving, Miloš joins the Serbian army.

Arsim’s relatively linear narrative is broken by short sections narrated by Miloš that are harder to understand and move back and forth through time. He is the more fragile of the two and becomes damaged by his war experience.

This novel, which I read for my James Tait Black project, is beautifully written and ultimately haunting. However, I so disliked Arsim that it was hard for me to read. He is absolutely vile in his behavior to almost everyone in the book but especially to his wife and children, whom he periodically deserts and beats when he is there. When he thinks later that he did his best by them, he defines this as financial support. Really, he deserts anyone who poses any difficulties.

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Review 2302: Trespasses

I read somewhere that Kennedy inserted the romance into Trespasses to make the political and social environment of her childhood palatable to readers. If that is so, I personally found the political and social parts more interesting, although the romance seems to take over the novel. However, the addition of the romance helped create the extremely touching ending.

Cushla is a Catholic schoolteacher who helps out at her brother’s pub in 1970’s Northern Ireland. One day Michael Agnew comes into the pub. He is nearly twice as old as she is, a Protestant, married, and a lawyer. She is immediately attracted to him even after she finds out he’s known as a womanizer. Soon he invites her to teach a group of his friends Irish, which leads to an affair.

At school, the children pick on one of her students, an eight-year-old named Davy McGeown, who is poor and who has a Catholic father and a Protestant mother. The family is threatened at home, and soon after Davy’s father finally gets a job, he is beaten mercilessly and left a cripple. Even the principal of the school treats Davy and the family badly, and there are hints of potential child abuse in the attentions toward Davy from the local priest. Cushla begins trying to help out Davy and his family, including his sullen older brother, Tommy.

Although Cushla’s family has successfully stayed out of the internecine conflict and serves people of both religions at the pub, things begin to change for them.

For quite a while that I was reading this novel, I was only mildly interested in the main story line but fascinated with the other things that were going on. However, towards the end, I was completely drawn in and found the ending particularly touching.

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Review 2294: Hotel Silence

Jónas Ebeneser has begun to think his life has no meaning. His wife Gúdrun has divorced him, and recently she told him his daughter Gúdrun Waterlily isn’t his. Aside from getting a lily tattooed on his chest, hanging out with his neighbor, and visiting his senile mother, he hasn’t been doing much, except fixing things, which he is good at.

He decides to kill himself, but he is worried that Gúdrun Waterlily will find his body. So, he decides to travel to a dangerous foreign country, feeling sure he can find a way to die. He travels to an unnamed country where a war has just finished, taking a shirt, his tool box, and his old diaries, and checks into Hotel Silence, formerly occupied by the famous and now run down with three guests.

This quietly quirky novel is another joy from Ólafsdóttir. It’s at times serious and sad but full of hope.

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Review 2293: A Haunting on the Hill

I haven’t read a book by Elizabeth Hand in a while, but as I remember, the two I read involved the supernatural. That probably makes this homage to Shirley Jackson’s The Haunting of Hill House a natural fit for her.

Holly has recently won a grant that allows her to take leave from her school-teaching job for a semester and work on a play she’s written. She and her partner Nisa are celebrating by spending the weekend in a B & B in upstate New York when Holly goes for a drive and comes upon Hill House.

Holly decides that the mansion would make a perfect place to workshop and rehearse her play. She is barely able to afford it, and the rental agreement comes with all kinds of relinquishments of liability.

Holly assembles her small cast at the house. There is Nisa, who has written some haunting songs for the play and is going to perform them; Amanda Greer, an older actress who will play the main character, a woman who was burned as a witch in the 17th century; and Holly’s best friend Stevie, who will play a dog/Satan and do the sound. Although Amanda used to be a name, all of them have been struggling for success.

The house makes Nisa and Stevie uncomfortable, and odd things happen right away, but Holly is too obsessed with her play to pay them much heed. And she has spent too much of her money to back out.

Nisa is resentful, because Holly always talks about her play and seems to be jealous when attention is paid to the music. Also, Holly doesn’t know, but Nisa has slept with Stevie repeatedly. Amanda hasn’t worked much since her costar fell to his death from a catwalk while arguing with her. She is inclined to think the others are mocking her. Stevie is a fragile soul who struggles with drug and sex addictions.

At first there are just the huge black hares outside and sounds that might be talking. But each character experiences odd things that he or she dismisses. As the tension builds, it becomes clear that they need to leave.

This is a creepy novel, although not as creepy as the original. But it’s involving and sometimes scary.

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Review 2292: Pomegranate

I have to admit that Pomegranate was a slog for me, even though I liked that central image. A review called it a fresh look at the problems faced by newly released prisoners, but that does not reflect my problem. It all seemed very predictable and trite to me.

Ranita is a Black woman who has recently been released from four years in prison on a drug charge. Although her Aunt Jessie has offered her a temporary place to stay, she faces the challenges of staying clean, getting a job, getting her own place, and regaining custody of her children. Her social worker expects her to fail, and although her therapist seems more open, she is not ready to open up. She also is having difficulty with her sexual identity, having had her first meaningful relationship in prison with a woman.

The novel flashes back to incidents in her life that explain how she ended up in jail, starting with a cold and disapproving mother.

As compelling as I feel this story could have been, it was not. I didn’t really feel pulled into it. Even the revelatory moments seemed contrived.

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Review 2283: Foster

Foster is so good it made me cry. It is beautifully and sparely written, about a little girl who is sent away to stay with strangers, the Kinsellas, while her mother has yet another baby. Her father, we learn very quickly, has gambled away their heifer and tells lies for no reason. He tells the Kinsellas, “You can have her as long as you want her.” He forgets to leave her clothes.

The girl is scared and mistrustful. When she wets the bed, she expects to be punished and sent home, but Edna Kinsella says the old mattress has been weeping and merely cleans and airs it. The Kinsellas are kind. They give her clothes to wear and feed her well, and she helps Edna with chores. She begins to love living on the farm.

I will say no more except this is a lovely book.

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