The first character we meet in The Clockmaker’s Daughter is the ghost of the clockmaker’s daughter. Although she used the name Lily Millington, we don’t find out her true name, or why she haunts Birchwood Manor, until the end of the novel.
The novel begins in the present, though, with Elodie, an archivist. She is about to be married, but she is having trouble concentrating on the wedding. That is because, in going through the archive of James W. Stratton, a philanthropist, she has found the belongings of a Victorian artist, Edward Radcliffe, in particular, a sketchbook. This discovery is of interest because inside it is a picture that she realizes is of a house from a children’s story handed down in her own family.
While Elodie begins exploring this link between Radcliffe and her family, we slowly hear the stories of Lily Millington, of a beloved house, and of a long-lost family heirloom. We also learn the stories of a series of inhabitants of the house.
Although I love a good ghost story, I wasn’t sure whether I would appreciate the ghost being one of the narrators. And this is not a traditional ghost story, for the ghost is not one that frightens. Kate Morton is a masterful storyteller, however, so that I was engrossed as always. Although this is not my favorite book by Morton, which still remains The Forgotten Garden, I really enjoyed it.