Review 1556: Dark Enchantment

I was delighted to receive a review copy of Dark Enchantment from Tramp Press from their Recovered Voices series and decided to time my review for the season. This is especially felicitous because the movie from another Dorothy Macardle book, The Uninvited, has been my family’s go-to Halloween movie for years. This is another entry for RIPXV.

After three years of teaching, an occupation that Juliet Frith likens to drudgery, she is exhausted and unwell. Her employers, eager for her to leave because of newspaper stories about her mother, have summoned her father to take her away. Frith is an actor who can’t afford to support Juliet and doesn’t know what to do with her, but for now they are vacationing on the Côte d’Azur.

On a day trip to visit villages in the Alps Maritimes, Juliet is taken ill at an inn, so Frith makes arrangements for them to stay the entire week. Juliet improves rapidly and befriends the pregnant wife of the innkeeper, Martine, so Frith arranges for Juliet to stay there when he has to leave for a job. Juliet will be working half-time at the inn for the length of Martine’s pregnancy. It helps that Juliet has met Michael, studying trees in the nearby forest.

The lives of all the villagers are soon wrapped up in drama because of Terka, a beautiful Romany woman who is missing an eye. She has a reputation as a sorceress, and the villagers are terrified of her. Although Juliet thinks Terka is being treated unfairly, Martine’s husband René is foremost at trying to drive her out of the area, so she has turned her attentions to poor Martine as well as others. Things begin to get ugly.

This novel develops slowly at first, but it has appealing characters and kept my interest. Although the threat foretold for Juliet doesn’t really pan out, she becomes deeply involved in the fortunes of Martine and René. I enjoyed this light read very much.

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Review 1551: The Grey Woman

Here’s another book for RIPXV.

This novel opens with an unnamed narrator, a traveler in Germany, who meets a pale woman known as The Grey Woman. When he asks for her story, she gives him a letter she wrote to her daughter. This letter contains her story.

As a young girl in 1778, Anna Scherer is very beautiful. A miller’s daughter, she is invited to visit a school friend in Karlsruhe, where she stays with the Rupprechts. She is a shy girl, but she makes a conquest of her social better, a Frenchman named Monsieur de la Tourelle. She is pushed by Frau Rupprecht into receiving him and accepting his gifts, and the next thing she knows, she is engaged to marry him even though he makes her feel uncomfortable.

After their marriage, de la Tourelle takes her to his castle in the Vosges Mountains, where she feels that the servants spy on her. He makes her cut all ties to her family and tries to control her every movement, not allowing her even to go for a walk. The saving grace is Amante, the servant he hired to be her lady’s maid.

Aside from being a stern and controlling husband, de la Tourelle has a fearsome secret, which Anna and her maid discover by accident.

This novel is typical of the gothic genre that was popular in its time, except that it is much more believable than most that I have read, not including any supernatural elements. I took it to be one of Gaskell’s earlier works, and it may have been, because it was published the year of her death, in 1865. It is very short, easy reading, although the antique-sounding dialogue is a bit cumbersome. Luckily, there’s not much of it.

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Review 1530: The Last of Chéri

The Last of Chéri is the second novella by Colette about Chéri and Léa. I try to avoid spoilers, but in this case I can’t avoid one, although it is actually about the previous novella, Chéri.

At the end of Chéri, Léa, Chéri’s middle-aged lover, made a sacrifice of her own love by separating from the young Chéri so that he could grow up. Now, it’s six years later. World War I has intervened, during which Chéri received a medal he didn’t exactly earn. His wife, Edmeé, is heavily involved in running a hospital and is in love with its lead physician. During the war, Edmeé and Charlotte, his mother, took over managing his fortune, a task that he was good at, and he doesn’t know how to ask for it back. His friends have been killed or have gone to work. In short, Chéri feels no purpose in life. The old ways of living for pleasure are dead, and in any case, he finds them boring.

Chéri hasn’t thought of Léa for years, but with her he was loved. He wonders if he can return to her.

I frankly didn’t much like the Chéri of the first novella, but I have more sympathy with thirty-year-old Chéri, even though I regret the solution he finds for his problem. Ultimately, this book is an indictment of how he was raised, and I eventually found it touching.

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Review 1525: Manga Classics Les Misérables

I never wanted to read Les Misérables after seeing an old movie that started out with Jean Valjean bashing in the head of a kindly priest who had taken him in, all during an attempt to steal the church silver. That made me turn it off. However, just for grins, I decided to give the Manga Classics version a try.

This, of course, is the story of the redemption of the escaped prisoner Jean Valjean and his pursuit by the policeman Javert, set against the background of the Paris Uprising.

Obviously, I can’t tell how faithful it is to the original even though I have also seen the musical, but there are a lot of characters, so I’m guessing they made a good attempt. The art is not as beautiful as I’ve found in a few graphic novels (although it’s classic Manga style), but the characters are well drawn and easy to tell apart, and the story is easy to follow. I haven’t read any other Manga, so I can only compare it to other types of graphic novels, and it is definitely more dependent upon text than some that I have read (but not all).

As to the quality of the edition, there were some pages in which the tops of the letters were chopped off, although you could still read them.

Did I enjoy it? It was okay. The story seems full of schmaltz, but it was interesting enough for me to consider putting the original on my next Classics Club list.

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Review 1494: #1920Club! Chéri

I haven’t read any Colette for a long time, so I thought it would be fun to read Chéri for the 1920 Club. It is the story of Léa, a middle-aged but beautiful courtesan, and her young lover, called Chéri, set in 1913.

Léa has been with her spoiled, childish lover since he was a very young man, but now his mother, Madame Peloux, thinks it’s time he was married. So, he and Léa prepare to part. Once parted, though, they both realize that they loved the other more than they thought.

Colette’s world of wealthy and stylish early 20th century Parisians is in some ways more foreign to me than stories about cultures much further removed. I couldn’t help feeling how sterile are lives lived only for pleasure. Also, I don’t really understand the attraction of a young man who behaves like a petulant child. But this is part of the realization that Léa finally has, that it’s about time he grew up.

The descriptions of people, rooms, and clothing are evocative and lovely. Despite my not being over fond of it, this is a masterly examination of the human heart.

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Review 1488: Akin

Noah Selvaggio is an octogenarian widower about to set forth on a trip to his birthplace of Nice when he is contacted by a social worker. His eleven-year-old great nephew Michael, whom he has never met, is in need of a temporary place to stay. Michael’s father, Noah’s nephew, has been dead for a while; his mother is in jail; and his grandmother, who was his guardian, has just died. Michaels’s other grandmother, Noah’s sister, has been dead for some years. Rosa, the social worker, asks that he take Michael while she tries to contact an aunt.

Noah tries to make his trip a reason not to take Michael, but Rosa is able to get Michael a passport and permission from Amber, his mother, to take him. So, Noah reluctantly agrees to take charge of Michael.

Once in Nice, Noah begins to try to track down the origins of some photos he thinks may have belonged to his mother, Margot. During World War II, his father went to the States, leaving Margot and Noah in Nice under Nazi occupation. Later, she sent Noah ahead, following in a year or two. The explanation has always been that she stayed to take care of her father, a famous photographer. But Noah thinks there is some mystery.

Although the pair have lots of arguments, Michael gets interested in helping Noah seek the truth about his mother.

I found this book a quick, interesting read, and a bit more touching than some of Donoghue’s other books. I was interested in the search for the truth and in the characters of the protagonists.

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Review 1468: Swimming Home

I didn’t know what to make of Swimming Home because the situation was unbelievable to me. First, there is some timeline confusion because of a short scene dated July 1994 in which Kitty Finch is driving dangerously through the Alpes-Maritimes at midnight with a man. The scene seems threatening, and you get a sense of dread.

Then, the main action of the novel begins with no timeframe, so that you don’t know if the preceding scene comes before or after it or even what year we’re in until there are references later on.

Joe Jacobs, a poet and serial philanderer, has rented for the summer a villa in the Alpes-Maritimes with his wife Isabel, a war correspondent, his young daughter Nina, and another couple. They come home to find a naked woman in the pool, looking dead. She is not dead, she is Kitty Finch, a beautiful but clearly disturbed woman. She makes an unconvincing explanation that the owner lets her stay there sometimes off-season and she got her dates mixed up. It is not off-season, however.

Do they show her off the property? No, they do not. They invite her to stay in the extra room. In particular, Isabel invites her, which gives rise to wondering for the rest of the book.

In fact, it shortly comes out that Kitty knew Joe Jacobs was staying there and wants him to read her poem, “Swimming Home,” which is about suicide. It is clear all the way that the novel is working toward death, but the ending is surprising.

I read the novel for my Booker Prize project, and I’m still wondering about it.

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Review 1424: Little

Best of Ten!
Often I don’t read reviews attentively or more often I don’t remind myself what a book is about before reading it, so I didn’t realize for some time that Little is a fictional biography of Madame Tussaud. It is an idiosyncratic one, to be sure.

Marie, often called Little for her small stature, is familiar with loss. In 1760, when she is five, her father dies. Her mother never recovers from it, and shortly after she and her mother take up residence with Doctor Curtius, for whom her mother is employed as a servant, her mother commits suicide.

Doctor Curtius is one of many peculiar characters, Marie not excepted, who occupy the novel’s pages. He is a very odd creature, unused to others, who models body parts in wax to be studied by anatomists. Marie is not dismayed by his peculiarities and is entranced by his wonderful collection of body parts. So, he begins teaching her to draw and model objects in wax.

At Little’s suggestion, they model the entire head of some subjects. Soon, they have a business of selling heads of themselves to customers. Dr. Curtius is mistreated by the hospital, so when a traveling Frenchman, Louis-Sébastian Mercier, suggests they move to Paris from Switzerland to model great men, they do.

Shortly after they arrive in Paris, Doctor Curtius falls under the influence of their landlady, the Widow Picot, who soon has Little working for the entire family, not just Doctor Curtius, even though Little has never been paid. Madame Picot makes no secret that she would like to get rid of her. In the meantime, she and Doctor Curtius begin by modelling the heads of famous criminals. By now, the French Revolution threatens.

Little is narrated in a sprightly, whimsical fashion even when it relates things that are not so pleasant. That, and the pervading personality of its main character, are two of its charms, even as it becomes darker. This is a strange and wonderful novel.

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Review 1421: Death Has Deep Roots

I usually give older crime novels more leeway than modern ones, because the genre has evolved. Some of the older novels concentrate on the puzzle to the detriment of character, for example, or even plausibility. Not so with Death Has Deep Roots by Michael Gilbert, published in 1951.

Gilbert, rather than having an all-knowing detective, has recurring characters in his novels, apparently. Although Goodreads lists this novel as Inspector Hazlerigg #5, he is only a minor character. Instead, the novel rests on the combined efforts of the Rumbolds, father and son solicitors; Macrae, the barrister; and Major McCann, a former soldier and pub owner.

Victoria Lamertine is charged with murdering Major Eric Thoseby, once her British contact when she was in the French Resistance, in his hotel room. The police case is built around the fact that she had been trying to contact him and that no one else could have committed the crime based on who was in the reception area of the hotel. The police think that Thoseby was the father of her child, who died just after the war, that being deserted by her lover was her motive.

Victoria claims that in fact Lieutenant Wells was the father and that Thoseby had been helping her search for him, as he was last seen when the Gestapo raided the farm near Angers where he was hiding. Victoria herself was taken in that raid.

Nap Rumbold thinks the links to the crime lie in France and the war, so he goes off to investigate. McCann investigates Lieutenant Wells in England, hoping to verify Vicky’s story about the parentage of her child. They only have a few days to find the facts while Macrae mounts his defense.

This novel is an unusual combination of legal and action thriller, Rumbold’s part providing the action. It has compelling characters, an interesting plot, and zips along nicely. I think it’s the best of the British Library Crime Classics I’ve read so far. I’ll be looking for more Michael Gilbert, whom I wasn’t familiar with before.

I received this book from the publishers in exchange for an honest review.

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Review 1390: End Games in Bordeaux

I had already planned to post this review today, but last week I noticed that September 1 was also the beginning of Readers Imbibing Peril, where participating readers read mysteries, horror, suspense, and so on between September 1 and October 31. I usually read a fair number of books in those categories anyway, not to mention trying to read something suitable for Halloween. So, here goes. Let me count this book as my first entry!

* * *

Those who select the shortlist for the Walter Scott Prize have an annoying tendency to choose books from the middle or end of a series. I read five long Matthew Shardlake novels just to read Heartstone for my project and then felt it wasn’t necessary to have read the other books. I didn’t realize that The Quality of Mercy was the second of two novels until I began reading it, but I found that it was easy enough to figure out what I had missed.

So, when it came time to read End Games in Bordeaux, I reasoned that since it was a mystery, it probably wasn’t necessary to read the preceding three books. That turned out to be a mistake. Not only does the novel check in periodically with a plethora of characters whose relationship to the main character is not explained, but an understanding of the plot relies heavily on the cases covered in the previous books. So, I was fairly well confused the entire time I was reading the book.

World War II is winding down. There are rumors that an invasion by the Allies will come soon. Superintendent Lannes is suspended from duty by order of the Germans for reasons that are not clear.

Count St.-Hilaire asks him to find a young girl who has run off with a ne’er-do-well, Aurélien Mabire. When Lannes finds Mabire, however, the girl isn’t with him. Mabire is, in fact, gay, and he lured the girl away with a promise to meet her father, long estranged from the family. Mabire was working at the bidding of Labiche, a crooked advocate whom Lannes despises.

The situation begins to deteriorate as people begin changing sides preparatory to the end of the war. Lannes finds himself being threatened and rumors being spread about him.

I had to wonder if I would have liked the book better if I had understood who some of the characters were and what the background was. I’m not sure I would have. The novel is narrated in terse little blocks of text while we skip from one situation to another, which doesn’t give me confidence that I would have found it much more understandable. Perhaps Massie was relying on readers’ knowledge of the other works in the series, but novels need to stand on their own. In the case of a series, therefore, some reiteration is necessary. Furthermore, the writing style makes me not want to go back and read the books in the series that I missed. One quote on the cover says the characters are evoked vividly. Well, maybe they are if you’ve read all the books. I didn’t find that to be the case.

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