Review 1390: End Games in Bordeaux

I had already planned to post this review today, but last week I noticed that September 1 was also the beginning of Readers Imbibing Peril, where participating readers read mysteries, horror, suspense, and so on between September 1 and October 31. I usually read a fair number of books in those categories anyway, not to mention trying to read something suitable for Halloween. So, here goes. Let me count this book as my first entry!

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Those who select the shortlist for the Walter Scott Prize have an annoying tendency to choose books from the middle or end of a series. I read five long Matthew Shardlake novels just to read Heartstone for my project and then felt it wasn’t necessary to have read the other books. I didn’t realize that The Quality of Mercy was the second of two novels until I began reading it, but I found that it was easy enough to figure out what I had missed.

So, when it came time to read End Games in Bordeaux, I reasoned that since it was a mystery, it probably wasn’t necessary to read the preceding three books. That turned out to be a mistake. Not only does the novel check in periodically with a plethora of characters whose relationship to the main character is not explained, but an understanding of the plot relies heavily on the cases covered in the previous books. So, I was fairly well confused the entire time I was reading the book.

World War II is winding down. There are rumors that an invasion by the Allies will come soon. Superintendent Lannes is suspended from duty by order of the Germans for reasons that are not clear.

Count St.-Hilaire asks him to find a young girl who has run off with a ne’er-do-well, Aurélien Mabire. When Lannes finds Mabire, however, the girl isn’t with him. Mabire is, in fact, gay, and he lured the girl away with a promise to meet her father, long estranged from the family. Mabire was working at the bidding of Labiche, a crooked advocate whom Lannes despises.

The situation begins to deteriorate as people begin changing sides preparatory to the end of the war. Lannes finds himself being threatened and rumors being spread about him.

I had to wonder if I would have liked the book better if I had understood who some of the characters were and what the background was. I’m not sure I would have. The novel is narrated in terse little blocks of text while we skip from one situation to another, which doesn’t give me confidence that I would have found it much more understandable. Perhaps Massie was relying on readers’ knowledge of the other works in the series, but novels need to stand on their own. In the case of a series, therefore, some reiteration is necessary. Furthermore, the writing style makes me not want to go back and read the books in the series that I missed. One quote on the cover says the characters are evoked vividly. Well, maybe they are if you’ve read all the books. I didn’t find that to be the case.

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Review 1379: The Nightingale

I wasn’t impressed by the only other Kristin Hannah novel I read, but my brother recommended The Nightingale so strongly that I decided to give her another chance. I know I’m probably in the minority.

The novel begins with an old lady living in Oregon in 1995 who is moving into a retirement home and is sorting through old papers with her son. Her son finds the identity papers of Juliette Gervaise, a person he’s never heard of. This launches most of the rest of the novel, set in France during World War II.

The two Rossignol sisters are very different women. Vianne is a mother, wife, and schoolteacher. When the Nazis arrive in the village, she is careful to follow orders and try to stay out of trouble. Isabella, however, is a rebellious teenager who runs away from school and immediately begins distributing fliers for the Resistance.

As Vianne fights to survive and protect her daughter, Sophie, she eventually finds that she can’t always follow the rules. In the meantime, Isabella’s involvement with the Resistance becomes more dangerous. Obviously, one of hooks of the novel is to find out which sister becomes the little old lady in Oregon.

It took quite a while, but I did become involved in this novel. It’s an interesting story, based on a real one. I still, however, consider the writing mediocre and trite and the characterization flat except for a few characters. I found the novel affecting, though.

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Review 1364: Madame de Treymes

If you have read Edith Wharton’s The Age of Innocence, the situation in her novella, Madame de Treymes, will seem familiar. As Madame de Treymes was written before The Age of Innocence, perhaps Wharton was trying out some ideas in this novella that she developed more fully in the later novel.

John Durham is in love with Madame de Malrive. He knew her as Fanny Frisbee in their younger days in New York, but now she is separated from her husband and has a young child. He proposes to her, expressing himself willing to adapt to any conditions she may make, but she says her husband’s family will never agree to a divorce. She has used her leverage because of her husband’s dissolute life to keep her son and does not want to jeopardize her custody.

Fanny says that the family never explicitly states its intentions, and she never knows what they are going to do. Her sister-in-law, Madame de Treymes, seems to be sympathetic, however, and she asks John to try to discover from her the family’s intentions.

Durham arranges a meeting with Madame and is first inclined not to believe the stories he’s heard about her. However, the meeting goes badly wrong.

This novella is about the inability of the aristocratic French and the Americans of the same class to comprehend each other. A misunderstanding on both sides results in unforeseen circumstances. This novella is subtle and more of a character study than a plotted piece, about the gulf between two very different cultures. I read this interesting novella for my Classics Club list.

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Review 1314: The Paris Architect

Cover for The Paris ArchitectLucien Bernard is an architect in 1942 Paris who is eager to prove his abilities as a modernist designer. He has an opportunity to design a factory for Auguste Manet, a wealthy businessman, and is undeterred by the knowledge that it will be used to manufacture arms for the Germans. All he wants is the opportunity to advance his career.

But first, Manet wants his help in designing an undetectable place to hide a person. He has been helping Jews hide from the Gestapo until they can leave the country. Lucien has no love for Jews and is terrified he’ll be caught. But he takes on the challenge.

This is an interesting premise for a novel, but Belfoure’s writing ability isn’t up to the task. The writing, especially the dialogue, is crude and obvious. Most of the Germans are cartoonish as villains, and other characters are flat as pancakes. Lucien’s secret is threatened from several directions, which is supposed to heighten the tension but almost makes it ridiculous. Lucien’s assistant hates him and is involved in helping his own uncle finds Jews, while Lucien’s mistress is two-timing him with a Gestapo officer.

Most problematically, Lucien is a jerk. He is supposed to evolve into a good guy during the novel, but there is a fairly late scene where his reaction to thinking his girlfriend is cheating on him is brutal. Of course, he is rewarded by falling in love with a beautiful model in Paris.

As you can probably tell, I disliked this novel.

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Day 1262: The Disappearance of Adèle Bedeau

Cover for The Disappearance of Ademe BedeauThe R.I.P. challenge surprised me this year, so I thought I’d look at what I already planned to review that would fit the category. The first book was this one. The idea is to spend September and October reading books that fit into specific categories, and mine are most likely to be mystery, suspense, or thriller, but a horror book or gothic novel might creep in there.

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The Disappearance of Adèle Bedeau is an unusual character study wrapped around a semblance of a murder mystery. Although it is labeled Inspector Gorski on Goodreads, much of it is concerned with the actions and thoughts of Manfred Baumann.

Manfred is a bank manager in Saint-Louis, a small town in the Alsace region of France. He leads an isolated life of extreme regularity, spending every evening at the Restaurant de la Cloche. He has no friends and spends most of his time by himself.

Manfred does not really date. He takes care of his needs in a weekly trip to a brothel. But he has become fascinated by surreptitiously observing the waitress at the restaurant, Adèle Bedeau, a sulky teenager with a well-developed figure. He even goes so far as to follow her when she meets her boyfriend.

Then Adèle goes missing. Inspector Gorsky can find no evidence of a crime, but he fastens on Manfred because he tells some lies. As far as the reader knows, he has not harmed Adèle, but maybe Raymond Brunet, the fictitious author of this novel, isn’t telling us everything.

Gorski begins to feel there is a connection with another crime years earlier, his first, for which a culprit was identified and convicted. Gorski was never satisfied, however, that they got the right man.

The depth of character portrayal of both Manfred and Gorski is what makes this novel stand out. It is portraying a creepy and paranoid guy in Manfred, however, and that may affect how much you enjoy the novel.

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Day 1213: A Country Road, A Tree

Cover for A Country Road, A TreeBest of Five!
I know little about Samuel Beckett except that he was Irish, and I have the most basic knowledge of Waiting for Godot and Krapp’s Last Tape. (“A country road, a tree” is his setting for Godot.) So, I would not be able to say whether the novel at all conveys a true sense of what Becket was like. I can say, though, that I’ve read other works of biographical fiction that felt as if they gave a false or poor sense of their main character. A Country Road, A Tree is much more plausible in depicting Beckett.

The novel does not cover his entire life but concentrates on the war years, 1939-1945. Beckett is already a published writer, although probably not to much attention. He is friends with James Joyce and other writers and artists in Paris.

At the beginning of the war, Beckett is in Ireland. He feels stifled there, though, and chooses to return to Paris despite the instability. There he lives an increasingly stressful and straitened existence with his lover, Suzanne. At first, he has no papers, which complicates things when he and Suzanne are forced to evacuate Paris with the German invasion. Later, he decides to work with the French underground, which makes their lives even more precarious. Finally, they must flee to the countryside again.

Although this novel does not concentrate on the literary side of Beckett’s life—in fact, during much of it he is unable to write—it grabs your attention and keeps it. It also provides some insight into the man who produced his later works. I loved Jo Baker’s Longbourne and have been waiting for her to produce a work equal to it. This is that work, which I read for both my Walter Scott Prize and my James Tait Black projects.

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Day 1180: Travels with a Donkey in the Cévennes

Cover for Travels with a DonkeyMary Stewart’s My Brother Michael is the first place I heard of Robert Louis Stevenson’s Travels with a Donkey. It is a short travelogue of a journey Stevenson took in 1878 in the remote Cévennes area of southern France with only a donkey for company.

This book is full of descriptions of the people and scenery and relates with some humor the author’s struggles with Modestine, the donkey. It also tells some of the legends and history of the area, which was the site of a religious revolt by the Camisards, a sect of the Huguenots, in the 17th century.

Although this history is interesting, for my tastes Stevenson spent too much time discussing religion, particularly as he asserts at one point in the book that he does not believe in God. Yet, he makes comments that sound like he does believe. He has several discussions about religion with people he meets on the trip, and he muses on the subject.

It seems natural to compare this work with that of Patrick Leigh Fermor, particularly the trip he made as a youngster through Europe. But Fermor’s work is at once more sparkling, witty, and erudite, although the type of content is the same. I felt that this book was only of moderate interest.

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