Review 1587: Captain Paul

Quite a few years ago now, I bought the collected works of several 19th century writers in ebook form from Delphi Classics and resolved to read them all, starting from the earliest works. I didn’t get very far—read one or two novels by each—before life got in the way of my project and I forgot it. But recently, I thought I would occasionally interject one of those novels into my regular reading, and the first one is Captain Paul by Alexandre Dumas, his second novel.

Now, this novel is quiet peculiar, for Dumas was inspired for it by James Fennimore Cooper’s The Pilot, which is about John Paul Jones. I haven’t read The Pilot, but it seems that Dumas has taken some liberties with Jones’s life if not with Cooper’s book. In particular, while naming his character Paul Jones, as Cooper apparently does in his book, and using some actual episodes from John Paul Jones’s life, he makes him a Frenchman (he was, of course, Scottish-American), and he gives him an entirely fictional but romantic lineage as the illegitimate son of a French count (although JPJ was born on an estate, the son of a gardener, so maybe Dumas was making some sort of assertion about his birth).

In the novel, Captain Paul, unaccountably donning two disguises in the first few pages, takes onboard his ship a prisoner of France that he is supposed to deliver to the prison island of Cayenne. The crew is not supposed to speak to the prisoner, but his conduct during a battle with an English ship leads Captain Paul to ask for the story of the prisoner, Hector de Lusignan.

Six months later, Captain Paul visits Count Emmanuel d’Auray, who originally delivered Lusignan to the ship, to tell him he knows he imprisoned Lusignan unlawfully. Lusignan’s crime was to fall in love, without fortune, with d’Auray’s sister, Marguerite, and have a child with her. While d’Auray got rid of Lusignan, his mother, the Marchioness, removed Marguerite’s child. Now, they are trying to force her to marry a fop who has promised d’Auray a commission. Captain Paul announces his intention to get Lusignan a pardon and remove Marguerite’s child from wherever it is hidden. But when he learns Marguerite still loves Lusignan, he decides to help the lovers.

There are more secrets to come, including Captain Paul’s own identity.

This is a short, fast-moving novel once you get over your bemusement about poor John Paul Jones. It is entertaining, but after all the action is over, Dumas couldn’t resist adding an Epilogue, which tells us how everyone ended up and also contains more of Jones’s real (maybe) exploits. The Epilogue, therefore, is about as long as two or three of the chapters, and everything bogs down tremendously. This is the addition of an inexperienced writer, and we all know he improved.

By the way, I believe that the figure depicted on the cover above (which is not the edition I read) is actually supposed to be Alexandre Dumas’s father, who was a famous general.

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Review 1556: Dark Enchantment

I was delighted to receive a review copy of Dark Enchantment from Tramp Press from their Recovered Voices series and decided to time my review for the season. This is especially felicitous because the movie from another Dorothy Macardle book, The Uninvited, has been my family’s go-to Halloween movie for years. This is another entry for RIPXV.

After three years of teaching, an occupation that Juliet Frith likens to drudgery, she is exhausted and unwell. Her employers, eager for her to leave because of newspaper stories about her mother, have summoned her father to take her away. Frith is an actor who can’t afford to support Juliet and doesn’t know what to do with her, but for now they are vacationing on the Côte d’Azur.

On a day trip to visit villages in the Alps Maritimes, Juliet is taken ill at an inn, so Frith makes arrangements for them to stay the entire week. Juliet improves rapidly and befriends the pregnant wife of the innkeeper, Martine, so Frith arranges for Juliet to stay there when he has to leave for a job. Juliet will be working half-time at the inn for the length of Martine’s pregnancy. It helps that Juliet has met Michael, studying trees in the nearby forest.

The lives of all the villagers are soon wrapped up in drama because of Terka, a beautiful Romany woman who is missing an eye. She has a reputation as a sorceress, and the villagers are terrified of her. Although Juliet thinks Terka is being treated unfairly, Martine’s husband René is foremost at trying to drive her out of the area, so she has turned her attentions to poor Martine as well as others. Things begin to get ugly.

This novel develops slowly at first, but it has appealing characters and kept my interest. Although the threat foretold for Juliet doesn’t really pan out, she becomes deeply involved in the fortunes of Martine and René. I enjoyed this light read very much.

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Review 1551: The Grey Woman

Here’s another book for RIPXV.

This novel opens with an unnamed narrator, a traveler in Germany, who meets a pale woman known as The Grey Woman. When he asks for her story, she gives him a letter she wrote to her daughter. This letter contains her story.

As a young girl in 1778, Anna Scherer is very beautiful. A miller’s daughter, she is invited to visit a school friend in Karlsruhe, where she stays with the Rupprechts. She is a shy girl, but she makes a conquest of her social better, a Frenchman named Monsieur de la Tourelle. She is pushed by Frau Rupprecht into receiving him and accepting his gifts, and the next thing she knows, she is engaged to marry him even though he makes her feel uncomfortable.

After their marriage, de la Tourelle takes her to his castle in the Vosges Mountains, where she feels that the servants spy on her. He makes her cut all ties to her family and tries to control her every movement, not allowing her even to go for a walk. The saving grace is Amante, the servant he hired to be her lady’s maid.

Aside from being a stern and controlling husband, de la Tourelle has a fearsome secret, which Anna and her maid discover by accident.

This novel is typical of the gothic genre that was popular in its time, except that it is much more believable than most that I have read, not including any supernatural elements. I took it to be one of Gaskell’s earlier works, and it may have been, because it was published the year of her death, in 1865. It is very short, easy reading, although the antique-sounding dialogue is a bit cumbersome. Luckily, there’s not much of it.

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Review 1530: The Last of Chéri

The Last of Chéri is the second novella by Colette about Chéri and Léa. I try to avoid spoilers, but in this case I can’t avoid one, although it is actually about the previous novella, Chéri.

At the end of Chéri, Léa, Chéri’s middle-aged lover, made a sacrifice of her own love by separating from the young Chéri so that he could grow up. Now, it’s six years later. World War I has intervened, during which Chéri received a medal he didn’t exactly earn. His wife, Edmeé, is heavily involved in running a hospital and is in love with its lead physician. During the war, Edmeé and Charlotte, his mother, took over managing his fortune, a task that he was good at, and he doesn’t know how to ask for it back. His friends have been killed or have gone to work. In short, Chéri feels no purpose in life. The old ways of living for pleasure are dead, and in any case, he finds them boring.

Chéri hasn’t thought of Léa for years, but with her he was loved. He wonders if he can return to her.

I frankly didn’t much like the Chéri of the first novella, but I have more sympathy with thirty-year-old Chéri, even though I regret the solution he finds for his problem. Ultimately, this book is an indictment of how he was raised, and I eventually found it touching.

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Review 1525: Manga Classics Les Misérables

I never wanted to read Les Misérables after seeing an old movie that started out with Jean Valjean bashing in the head of a kindly priest who had taken him in, all during an attempt to steal the church silver. That made me turn it off. However, just for grins, I decided to give the Manga Classics version a try.

This, of course, is the story of the redemption of the escaped prisoner Jean Valjean and his pursuit by the policeman Javert, set against the background of the Paris Uprising.

Obviously, I can’t tell how faithful it is to the original even though I have also seen the musical, but there are a lot of characters, so I’m guessing they made a good attempt. The art is not as beautiful as I’ve found in a few graphic novels (although it’s classic Manga style), but the characters are well drawn and easy to tell apart, and the story is easy to follow. I haven’t read any other Manga, so I can only compare it to other types of graphic novels, and it is definitely more dependent upon text than some that I have read (but not all).

As to the quality of the edition, there were some pages in which the tops of the letters were chopped off, although you could still read them.

Did I enjoy it? It was okay. The story seems full of schmaltz, but it was interesting enough for me to consider putting the original on my next Classics Club list.

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Review 1494: #1920Club! Chéri

I haven’t read any Colette for a long time, so I thought it would be fun to read Chéri for the 1920 Club. It is the story of Léa, a middle-aged but beautiful courtesan, and her young lover, called Chéri, set in 1913.

Léa has been with her spoiled, childish lover since he was a very young man, but now his mother, Madame Peloux, thinks it’s time he was married. So, he and Léa prepare to part. Once parted, though, they both realize that they loved the other more than they thought.

Colette’s world of wealthy and stylish early 20th century Parisians is in some ways more foreign to me than stories about cultures much further removed. I couldn’t help feeling how sterile are lives lived only for pleasure. Also, I don’t really understand the attraction of a young man who behaves like a petulant child. But this is part of the realization that Léa finally has, that it’s about time he grew up.

The descriptions of people, rooms, and clothing are evocative and lovely. Despite my not being over fond of it, this is a masterly examination of the human heart.

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Review 1488: Akin

Noah Selvaggio is an octogenarian widower about to set forth on a trip to his birthplace of Nice when he is contacted by a social worker. His eleven-year-old great nephew Michael, whom he has never met, is in need of a temporary place to stay. Michael’s father, Noah’s nephew, has been dead for a while; his mother is in jail; and his grandmother, who was his guardian, has just died. Michaels’s other grandmother, Noah’s sister, has been dead for some years. Rosa, the social worker, asks that he take Michael while she tries to contact an aunt.

Noah tries to make his trip a reason not to take Michael, but Rosa is able to get Michael a passport and permission from Amber, his mother, to take him. So, Noah reluctantly agrees to take charge of Michael.

Once in Nice, Noah begins to try to track down the origins of some photos he thinks may have belonged to his mother, Margot. During World War II, his father went to the States, leaving Margot and Noah in Nice under Nazi occupation. Later, she sent Noah ahead, following in a year or two. The explanation has always been that she stayed to take care of her father, a famous photographer. But Noah thinks there is some mystery.

Although the pair have lots of arguments, Michael gets interested in helping Noah seek the truth about his mother.

I found this book a quick, interesting read, and a bit more touching than some of Donoghue’s other books. I was interested in the search for the truth and in the characters of the protagonists.

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Review 1468: Swimming Home

I didn’t know what to make of Swimming Home because the situation was unbelievable to me. First, there is some timeline confusion because of a short scene dated July 1994 in which Kitty Finch is driving dangerously through the Alpes-Maritimes at midnight with a man. The scene seems threatening, and you get a sense of dread.

Then, the main action of the novel begins with no timeframe, so that you don’t know if the preceding scene comes before or after it or even what year we’re in until there are references later on.

Joe Jacobs, a poet and serial philanderer, has rented for the summer a villa in the Alpes-Maritimes with his wife Isabel, a war correspondent, his young daughter Nina, and another couple. They come home to find a naked woman in the pool, looking dead. She is not dead, she is Kitty Finch, a beautiful but clearly disturbed woman. She makes an unconvincing explanation that the owner lets her stay there sometimes off-season and she got her dates mixed up. It is not off-season, however.

Do they show her off the property? No, they do not. They invite her to stay in the extra room. In particular, Isabel invites her, which gives rise to wondering for the rest of the book.

In fact, it shortly comes out that Kitty knew Joe Jacobs was staying there and wants him to read her poem, “Swimming Home,” which is about suicide. It is clear all the way that the novel is working toward death, but the ending is surprising.

I read the novel for my Booker Prize project, and I’m still wondering about it.

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Review 1424: Little

Best of Ten!
Often I don’t read reviews attentively or more often I don’t remind myself what a book is about before reading it, so I didn’t realize for some time that Little is a fictional biography of Madame Tussaud. It is an idiosyncratic one, to be sure.

Marie, often called Little for her small stature, is familiar with loss. In 1760, when she is five, her father dies. Her mother never recovers from it, and shortly after she and her mother take up residence with Doctor Curtius, for whom her mother is employed as a servant, her mother commits suicide.

Doctor Curtius is one of many peculiar characters, Marie not excepted, who occupy the novel’s pages. He is a very odd creature, unused to others, who models body parts in wax to be studied by anatomists. Marie is not dismayed by his peculiarities and is entranced by his wonderful collection of body parts. So, he begins teaching her to draw and model objects in wax.

At Little’s suggestion, they model the entire head of some subjects. Soon, they have a business of selling heads of themselves to customers. Dr. Curtius is mistreated by the hospital, so when a traveling Frenchman, Louis-Sébastian Mercier, suggests they move to Paris from Switzerland to model great men, they do.

Shortly after they arrive in Paris, Doctor Curtius falls under the influence of their landlady, the Widow Picot, who soon has Little working for the entire family, not just Doctor Curtius, even though Little has never been paid. Madame Picot makes no secret that she would like to get rid of her. In the meantime, she and Doctor Curtius begin by modelling the heads of famous criminals. By now, the French Revolution threatens.

Little is narrated in a sprightly, whimsical fashion even when it relates things that are not so pleasant. That, and the pervading personality of its main character, are two of its charms, even as it becomes darker. This is a strange and wonderful novel.

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Review 1421: Death Has Deep Roots

I usually give older crime novels more leeway than modern ones, because the genre has evolved. Some of the older novels concentrate on the puzzle to the detriment of character, for example, or even plausibility. Not so with Death Has Deep Roots by Michael Gilbert, published in 1951.

Gilbert, rather than having an all-knowing detective, has recurring characters in his novels, apparently. Although Goodreads lists this novel as Inspector Hazlerigg #5, he is only a minor character. Instead, the novel rests on the combined efforts of the Rumbolds, father and son solicitors; Macrae, the barrister; and Major McCann, a former soldier and pub owner.

Victoria Lamertine is charged with murdering Major Eric Thoseby, once her British contact when she was in the French Resistance, in his hotel room. The police case is built around the fact that she had been trying to contact him and that no one else could have committed the crime based on who was in the reception area of the hotel. The police think that Thoseby was the father of her child, who died just after the war, that being deserted by her lover was her motive.

Victoria claims that in fact Lieutenant Wells was the father and that Thoseby had been helping her search for him, as he was last seen when the Gestapo raided the farm near Angers where he was hiding. Victoria herself was taken in that raid.

Nap Rumbold thinks the links to the crime lie in France and the war, so he goes off to investigate. McCann investigates Lieutenant Wells in England, hoping to verify Vicky’s story about the parentage of her child. They only have a few days to find the facts while Macrae mounts his defense.

This novel is an unusual combination of legal and action thriller, Rumbold’s part providing the action. It has compelling characters, an interesting plot, and zips along nicely. I think it’s the best of the British Library Crime Classics I’ve read so far. I’ll be looking for more Michael Gilbert, whom I wasn’t familiar with before.

I received this book from the publishers in exchange for an honest review.

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