Review 1593: The Long Take

When I opened up The Long Take, which I was reading for both my Walter Scott prize and Booker prize projects, I was not delighted to discover it is mostly a poem. However, it is fairly easy to read, so my next challenge was a search for the plot.

Walker, a World War II veteran from Nova Scotia, first arrives in New York City in 1946. He haunts skid row and dive bars as he tries to find a place for himself. Later, after an invitation, he travels to Los Angeles and gets a job with a newspaper.

This novel is more atmospheric and thematic than plot-driven. It is about droves of homeless ex-soldiers occupying the downtown areas of all the large cities Walker visits. It is about Walker’s feelings about what he saw and did in the war. And it is about the gutting of downtown Los Angeles to make room for parking lots and freeways and the racism underlying the planning decisions.

The Long Take is beautifully written. It is not a noir work, as described on the cover, but it is gritty and depressing.

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Review 1591: Ducks, Newburyport

The unnamed narrator of Ducks, Newburyport is a 40-something Ohio housewife who works from home making pies and cinnamon rolls for restaurants. She is a survivor of cancer, and she and her husband Leo are both working very hard to pay off her medical bills. She has four children, a sulky teenager, Stacy, from her first marriage and three young children from her second.

Ducks, Newburyport consists mostly of her mental ramblings as she goes about her day, a timid woman who rarely speaks her mind and is obsessed by her failures as a parent and daughter and by violent incidents in the news. The book almost completely consists of one 1,000-page sentence, if you can call a bunch of phrases beginning with “the fact that” or sometimes just lists of words a sentence. Periodically, this monologue is broken by a few paragraphs about a female cougar and her cubs.

Ducks, Newburyport breaks just about every rule connected with literature. It breaks the Strunk and White rule about not using “the fact that” about 50 times per page. It uses no traditional sentence structure or paragraphing except in the lion sections. It breaks notions of narrative. (It’s not stream-of-consciousness.) And it has a plot, sort of, but not in the traditional sense. I’m not sure if the novel is an elaborate joke or just Ellman thumbing her nose at the rules and winning awards while she does it. Lots of people have compared it to Ulysses, but Ulysses is more poetic. The narrative style alone may drive you nuts.

I noticed that Ellman gets a few things wrong. Some are to do with the age of her character, who makes lots of cultural references, many of which are too old for her. Certainly, the narrator is interested in old movies and songs, but the mistakes I’m talking about have more to do with Ellman being closer to my age than her narrator’s. She talks about everyone having their tonsils out when she was young, but that’s a 50’s or early 60’s thing rather than an 80’s. And similarly, she says just about every woman in America is on hormone replacement therapy, but that wasn’t even being prescribed as much when I was hitting menopause, and I’m older than Ellman. Some of her verbal habits, like calling underwear me-oh-mys just seem ridiculous and old-fashioned. Of course, this last could be characterization.

I also thought Ellman has been living in the U. K. too long to get an American housewife quite right. Just a small example is her repeated references to Bath Oliver biscuits. I doubt if many Americans know what those are, even if they’ve eaten them. I had to look them up, and I have eaten them. In general, as well, Americans don’t eat beans on toast, a phrase that she repeats excessively. Of course, again, that could just be a phrase that’s lodged in her head.

These are small things that you’d think her editor would have caught, if editors even edit anymore.

Did I like it? As soon as I got a feel for what the novel would be like, I assumed I wouldn’t finish it and kept waiting to decide to stop reading. But I found it oddly hypnotic, and I finished it. I found the narrator annoying as well as unreliable. She says she doesn’t remember things, but 80% of the novel is her memories. She also says she doesn’t remember her dreams and then relates them to the tune of several a page sometimes—another rule broken—which I found irritating, because I don’t like reading about dreams in fiction.

Would I read it again? No way. Does it deserve two (at least) prestigious literary awards? I have no idea.

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If I Gave the Award

Having reviewed 4321, the last of the Man Booker Prize shortlist for 2017, I find it is now time for my feature where I explore whether I think the judges got it right.

Sometimes, I will choose the most experimental book as my favorite, which in this case is a toss-up between Paul Auster’s 4321 and George Saunders’s Lincoln in the Bardo. Well, really, of those two, Lincoln in the Bardo, the winning book for 2017, is most experimental, so let’s look at it first. With the conceit of the dead being a sort of combination chorus and driver of the plot, and moreover that the preoccupations of the dead manifest themselves physically, I found myself first amused and then annoyed. Ultimately, I found it a little tiresome, so this is not the book I would have picked.

I found 4321 interesting in concept and the story more or less absorbing, but I also thought it was at least 100 pages too long. Everything about it was verbose, and really, what is that interesting about adolescent boys that you would have to explore in detail their every thought and obsession?

Exit West by Mohsin Hamid is certainly timely, with its story of immigrants, but I felt it was too concept driven. It is not so much interested in the experience of immigrating itself than in the isolation after immigration. It also did not do much with its characters.

Ali Smith’s latest entry, Autumn, has Brexit as one of its central themes. It is also much harder to define. I found it interesting and intellectually challenging, but it did not stick with me like some of the other books.

History of Wolves by Emily Fridlund, about a teenager who witnesses something she doesn’t understand, did stick with me more. I thought the novel was thought-provoking but also confusing and included a lot of things that didn’t pan out.

In case you didn’t figure it out, this time I’ve been going from my least favorite to my most favorite of the novels (well, not exactly, because I liked 4321 a little better than Exit West), so I end with what would have been my winner, Elmet by Fiona Mozley. It is deeply atmospheric and tells a compelling story. It may be the least experimental of the choices for 2017 (although History of Wolves isn’t really experimental either), but it resonated with me and has a distinctive narrative voice.

 

Review 1497: Elmet

Best of Ten!
My very brief research on Elmet tells me that it was a Welsh kingdom in what is currently West Yorkshire, but the Wikipedia article says that Bede refers to it as “the forest of Elmet.” This reference is certainly apt for the novel Elmet.

Daniel, his father Daddy, and his sister Cathy live in the deep forest in a house their father built. Daddy has claimed the land, which the children’s mother owned when she died.

Before they lived there, the children stayed with their grandmother while Daddy was gone for long periods. But Cathy was being harassed by local boys until she finally beat them up. When Daddy took Daniel and Cathy to report the repeated bullying to the head teacher, he could see that she already believed that the attack was unprovoked, believed the middle-class boys’ lies over the poor children’s truth, that is. So, Daddy took them away to the forest and told them he wouldn’t leave them again.

At first, their life seems idyllic as they live mostly off the land, but we know from the beginning that Daniel is running away from some horrible event. So, a feeling of dread builds.

Daddy is an uneducated giant who makes a living fighting illicit bare-knuckles boxing matches. In his past, he also did violent work off the edges of legality, but lately he has used his great strength to help out poor people against injustices by landlords and former employers. Because of his past, however, he can’t seek out legal means to sort out his problems, and the worst one appears with Mr. Price, a man known to have cheated locals out of their land and a poor landlord. He claims that the kids’ mother sold him her land before she left the area.

This novel is stunning in its beauty, full of dread, dark, and wonderful. Set in the present, it depicts life so violent and exploitative for the locals in poverty that you would think it was feudal times. It’s not often I read a book this good. I read this book for my Man Booker Prize project.

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Review 1403: Washington Black

Best of Ten!
Washington Black is a twelve-year-old field slave on the Barbados plantation of Faith in 1830 when a new master arrives. Masters are to be feared, but it soon becomes clear that the new master is cruel and thinks nothing of the death of a slave.

Washington and his protector, the old woman named Kit, are alarmed when one evening they are summoned to the master’s house. They are expected to wait table while the master entertains his brother, Christopher, although they have no training. After the dinner, the brother asks for Washington to wait on him personally.

Christopher, or Titch, as he asks to be called, is a man with a scientific mind. He is working on an airship he calls Cloud Cutter, which he plans to launch from a mountain at the top of the plantation. Once Titch sees how exactly Washington draws, he begins to involve him in his experiments.

The master is away when Titch’s cousin Philip arrives. He brings some news that disturbs the plans of both Titch and the master. Then a terrible event occurs. Because Washington is present for it, he knows it means his death. Titch knows it, too, and the two flee the plantation in the Cloud Cutter.

Washington’s life becomes one of adventure overshadowed by fear. Although during the novel he travels to the Arctic, Upper Canada, England, and eventually Morocco, for years he fears being recaptured.

This novel is part adventure story, but it has the more serious aim of exploring the bonds between the exploiter and the exploited. Titch is a mystery to Wash, a seemingly compassionate man who yet abandons him in the Arctic. For years, Wash believes him to be dead, but then he hears he is alive. This sends him on more journeys to try to find and understand his mentor.

I thought this novel was fascinating, especially the descriptions of sea creatures when Wash begins studying them in Upper Canada. Later on, he begins to build the world’s first public aquarium.

I liked Edugyan’s Half-Blood Blues, but I was really caught up in the story of Wash’s life. This novel applies to my Man Booker Prize project, but I would have read it anyway.

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If I Gave the Award

Having posted my review of The Sellout by Paul Beatty, I see it is time for my feature where I give my opinion of the winners for a specific award. The Sellout was shortlisted for the 2016 Man Booker Prize. It was the winner that year. If you read my review, you know that I disliked this book intensely because of its style, which reminded me of a long stand-up comedy routine, and also because of its over-the-top plot. In fact, I did not finish reading it. So, obviously, I would not have picked it for the award.

Another book that did not impress me was All That Man Is by David Szalay. It depicts in barely related short stories (why is it called a novel when nothing but the theme overlaps from story to story?) a series of incidents featuring despicable male characters who at best do nothing and at worst are very bad indeed.

Eileen by Otessa Moshfegh, on the other hand, is a portrait of a despicable woman. Although I thought this novel presented a masterful characterization, it was not my favorite.

I liked Hot Milk by Deborah Levy more, but I thought some of its events were unlikely. And it was confusing at times, written in an almost hallucinogenic style.

Although I occasionally found its style irritating, since it has a fairy tale-like quality to it, I found Do Not Say We Have Nothing by Madeleine Thien heart-rending. In addition, it informed me about events I knew nothing about.

My selection for the winner, however, would have been His Bloody Project by Graeme Macrae Burnet. I found it absolutely fascinating as it followed a crime as well as depicting the lives of crofters in the 19th century.

 

 

If I Gave the Award

Yesterday, I posted my review of the last of the 2011 shortlisted books for the Man Booker Prize, so it’s time for my feature where I decide whether the judges got it right. The 2011 shortlist offers a lot to like, although I found a bit to dislike in it, too.

It’s easy for me to dismiss one of the books. I did not like Patrick DeWitt’s The Sisters Brothers, an ironic, superviolent Western, at all.

I was a little more interested in Half-Blood Blues, Esi Edugyan’s dual time-frame story about how jealousy affects an American blues band hiding in Nazi-occupied Germany and Paris. However, I didn’t really like most of the characters and I wasn’t in love with the vernacular used to narrate the novel, which I believed was probably not historically accurate.

Snowdrops by A. D. Miller paints a chilling picture of life in post-Cold War Russia. I felt this was an engaging thriller and character study with a narrator made unreliable by his willful ignorance.

I was enchanted by the narrator of Stephen Kelman’s Pigeon English, a naive 11-year-old boy from Ghana, and the novel invoked in me a growing dread. However, I felt that the role of the pigeon didn’t really work.

Jamrach’s Menagerie just plain tells a fascinating story, about a 19th century boy who is rescued from poverty by a menagerie owner and who sails off on a mission to find a dragon. This novel features wonderful storytelling.

The winning novel was Julian Barnes’s The Sense of an Ending. Barnes is a master of the unreliable narrator, and this novel is no exception. Through reading the diary of a friend who committed suicide, the narrator learns that everything he remembers about the key relationships in his life is wrong.

Although this time it was a tough decision, I have to agree with the judges. Barnes’s book is short but psychologically fascinating and complex. I would also pose that it is the novel that is the most literary of the shortlisted books. I strongly recommend some of the other books, however, particularly Jamrach’s Menagerie.

 

Review 1325: Exit West

It’s difficult to describe Exit West. Part embedded in a slightly futurist reality, a small part speculative, part romantic, the novel is mostly a parable. Those of you who know me, know I don’t really like parables and I seldom appreciate magical realism, so this probably wasn’t the best choice for me, but I read it for my Man Booker Prize project.

Saeed meets Nadia in class as their unnamed city succumbs to war. They secretly see each other while a war goes on between religious fundamentalists and the government. As the situation deteriorates, Saeed’s mother is killed.

Saeed and Nadia hear rumors about doorways that can take refugees to other parts of the world, and we take a few side trips from their stories to witness people emerging in other countries. In some countries, the doors are guarded to keep the refugees safe. In others, the governments are trying to keep refugees out.

Saeed and Nadia decide to leave, but they cannot convince Saeed’s father to go with them. They eventually go, emerging first in Mykonos, where they live in a refugee camp, then in London, and finally in Marin County. Everywhere they go, they join swarms of refugees.

Hamid isn’t as interested in the grueling journeys of refugees as he is in the psychological effects of their journeys. Quiet, reflective Saeed has more difficulty adjusting than does the more adventurous Nadia.

Because this is more of a parable, though, the two main characters are mostly ciphers. We don’t really get to know them or care that much about them. Hamid’s lightning glimpses of other people’s lives open up the novel a little bit. It’s a technique similar to that used by David Mitchell, but in this novel it doesn’t work as well. Sometimes these glimpses seem to have little point, although most of them are linked to the doorways.

Aside from the timeliness of this novel (which I’m guessing is what has made it so popular especially with predictions about climate refugees to add to our current economic refugees and those fleeing violence), this novel was interesting but not altogether successful.

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Review 1318: All That Man Is

If David Szalay’s new novel shows all that man is, then we’re in a sorry state. A collection of nine barely linked short stories that is being marketed as a novel, the book depicts nine men at different life stages travelling or living in a different European country than their native countries.

The book starts with young men and works its way through middle age to old men. Seventeen-year-old Simon is travelling with his friend Ferdinand through Europe. They seem to be incompatible travelers. Simon is interested in art and music, while Ferdinand wants to party. Simon has mixed feelings when Ferdinand has sex with their middle-aged landlady in Prague.

Bernard is an aimless 20 when he quits his job to go to Cyprus with a friend. He ends up going alone, where he finds himself involved in a sexual relationship with both a hefty young woman and her mother.

Baláz is hired by Gábor to come with him and his girlfriend Emma to London. The details of this job are murky, but Baláz needs the money. It turns out that he is to provide the muscle while Gábor and his friend Zoli pimp Emma out to wealthy men.

Karel is an academic who begins the story believing his relationship with a lover who meets him periodically for a few days is perfect. But she has news for him. She has just discovered she is pregnant. To this news he answers, “This is shit!”

Kristian is a talented journalist with a friendly connection to a politician, Dahlig. The tabloid he works for decides to expose Dahlig’s affair with a married woman. Even though Kristian and Dahlig have a cordial and political relationship, Kristian thinks nothing of interrupting Dahlig’s vacation in Spain to break the news and try to force an admission from him.

I think you get the idea. These are not likable men. At best, they are feckless and inert. At worst, they are ruthless and amoral. Szalay affords each of them a moment of insight, clarity, or immersion of the senses, but these moments are fleeting. Sordid is a good adjective to describe these lives. This was not one of my favorite pieces of fiction. I read it for my Man Booker Prize project.

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Review 1312: Autumn

Autumn is the first of Ali Smith’s planned Seasonal Quartet. I believe Winter is already out. The first is about, among many other things, Brexit.

Daniel Gluck may be dying. He is an elderly man, over 100, and he dreams, among other things, that he has become his younger self and that he is turning into a tree. At his side reading to him is Elisabeth Demand, a thirty-two-year-old lecturer who has known him since she was eight. He taught her how to invent stories, approach the world creatively, and think critically. He always greets her with, “What are you reading?”

As Elisabeth walks around the village where her mother lives, she observes the various attitudes about Brexit. Some people are exultant while others are horrified. Her mind goes to A Tale of Two Cities, which she is reading to Daniel: “It was the best of times; it was the worst of times.”

It’s beyond my powers to provide much more than a suggestion of this novel, which touches on so many subjects, among them British pop artist Pauline Boty, Christine Keeler of the Profumo scandal, our experience of time, the relationship between mothers and daughters and brothers and sisters. I’ll just say that I found the novel both intellectually challenging and touching. I read it for my Man Booker project.

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