Felix wants revenge. Years ago, he was at the pinnacle of his career, director of the Makeshiweg Festival, presenting The Tempest. He was known for his avante garde approaches to theatre. But while he was occupied with the play, he let his assistant Tony deal with the other points of business. In his turn, Tony plotted with Sal O’Nally, the Heritage Minister, to remove him from his job. Making matters worse, Felix’s young daughter Miranda had died a few years before.
Felix has been leading a retired life in a rustic cottage in the country. Several years ago, he took a job with a program at a local prison. Each year, he stages a Shakespeare play staffed and acted by the prisoners. It has become very popular, and the prisoners’ literacy scores have increased.
But Felix is mostly alone with only his fantasy daughter for company.
One year, Felix hears that several ministers, including Sal and Tony, will attend the prison on the day of the broadcast of the play. Their real intent, he hears, is to shut down the program, despite its success. Felix decides this year’s play will be The Tempest, and through the play, he will get his revenge.
I thought Atwood’s approach to this retelling was much more inventive than the other reworkings I have recently read, and I found the novel entertaining. Its revenge plot didn’t really grab me, though. I didn’t like Felix very much, although he gets more likable as the novel progresses. It was clever to combine the Caliban and Prospero roles into one for this book. Certainly, readers familiar with Atwood will recognize her acerbic writing style. Not to get to the point where I thought he was a real person, but I also thought his teaching methods were really creative, and the production sounded as if it would be good.