A mysterious woman moves into the empty cottage on property belonging to Simon Elliot. She has with her a set of old plates depicting the verses of a ballad, and she spends a lot of time immersing herself in the story told by the plates. The thing is, this cottage was last occupied by Jinny Lauder, and the plates were hers. And Jinny Lauder was Sim Eliot’s lover, the woman he was tried for murdering.
So, who is this woman? Could she be Jinny’s daughter? Whoever she is, she seems half off her head, and she is clearly plotting revenge against Sim Elliot.
But the person she meets is Sim’s son, home in the Borderlands to introduce his father to his fiancée, Jo. David finds this wild girl, who first identifies herself as Mary, fascinating, and he is just as interested in his father’s guilt or innocence as Mary is. In fact, he despises his father for betraying his mother.
Greig used the conceit of retelling an ancient ballad in Fair Helen, an idea I really admired. Here again, he brings in an old ballad and the feuding families of the Borderlands, but I don’t think it works as well. In particular, the focus on the plates becomes tedious. After a while, each time the girl went back to look at the plates, I sighed.
Still, Greig’s writing is gorgeous, and his settings are evocative. Greig examines the concept of fate in this novel. Are the Elliots and Lauders doomed to pursue their feud?