At first, I wasn’t sure I would like The Shuttle, despite my enjoyment of Frances Hodgson Burnett’s other novels. That is because it begins with an extended metaphor, rather cumbersome, about the shuttle of fate weaving together east and west. I wasn’t altogether sure which east and west she was talking about and had wild thoughts about China. But we weren’t leaving the Occident. By west she meant America, more precisely the United States. By east, England. But this introduction lasts only a couple of pages, and then we get into the action.
The novel begins with Rosalie Vanderpoel, the gentle, naive daughter of a New York millionaire. It is the early days of the migration of young, titled Englishmen to New York looking to marry money, and the relatively innocent New Yorkers don’t understand that most of these men are fortune hunters. Rosalie becomes engaged to Sir Nigel Anstruthers. Although Reuben Vanderpoel, Rosalie’s father, does not like Nigel, only nine-year-old Bettina sees him for the vicious bully that he is.
But Nigel hasn’t done his homework. He doesn’t realize that American girls don’t come with dowries nor that Rosalie won’t expect to hand her money over to her husband for handling, as an Englishwoman might. Once he realizes his mistake, he blames it on Rosalie.
Rosalie goes to live in dilapidated Stornham Court, where she is mistreated and bullied by her husband and his mother. Thinking that no man would take money from a woman, Rosalie doesn’t offer any, and it takes a while before she realizes that’s what he wants. But he doesn’t want money for the estate, just to support his vicious habits. He cuts her off from her family to make her miserable and keep control.
Rosalie isn’t the heroine of the novel, however. That honor belongs to Bettina, or Betty, who vows at the age of nine to go sometime and rescue Rosalie. And so she does, 15 years later.
This novel isn’t one of great surprises. When Betty finds Rosalie and her son alone and works to buck them up and get them ready to leave, the tension builds from the expectation of a showdown with Nigel. When Nigel finally arrives, he uses all his cleverness to foil Betty. We know who will win—we just don’t know how.
I don’t think Burnett’s adult novels were considered sensation fiction, but this one certainly deals with those kinds of topics and is very melodramatic. Still, it was a fun book to read. Betty is clever and determined. You know she will win at love and defeat Sir Nigel.
The Making of a Marchioness
That Lass o’Lowrie’s