Jack tells more fully the story of Jack Boughton, whose tale was first alluded to in Robinson’s Gilead and whose fate was more fully explored in Home, which takes place chronologically after Jack. Jack is the hapless ne’er-do-well prodigal son in Home, but Jack explores his relationship with Della Miles, a romance with a young black woman that is forbidden in 1950’s Missouri.
Jack is living in St. Louis at the beginning of the novel, just barely hanging on to the fringes of society. He is drunk part of the time and owes money that he can’t repay. He is fresh out of jail and living in a cheerless rooming house.
He has already met Della at the beginning of the novel and has fallen instantly in love with her, but he is minutely aware of himself and his unsuitability. She is a young woman, educated, a schoolteacher, and she is black. It’s against the law for him to consort with her, and just being seen with him will ruin her reputation. For his part, he’s an older man, an ex-con, a bum.
Della gets accidentally locked in a cemetery one night where he sometimes sleeps. So, the first part of the novel is a long conversation at night.
Robinson is finely tuned to the condition of the human heart, as becomes obvious as we watch Jack, overly sensitive to every nuance of a situation. True to his upbringing by a devout Presbyterian minister, Jack frequently engages in theological discussions odd for an atheist. We watch Jack try to defeat his feelings for the sake of his beloved and fear that any small disappointment will send him on a downward spiral, for he is so fragile.
Robinson is a wonderful writer with a deep understanding of human nature. Although these Gilead books can be difficult, they are rewarding.