Review 1382: The Sport of Kings

To paraphrase Sophia Brownrigg, a reviewer from The Guardian, The Sport of Kings is about horse racing like Moby Dick is about whales. It is ambitious—attempting to tell the history of Kentucky through that of two families—one white, wealthy, elitist, and bigotted, the other black, poor, and beleagered. It is sometimes magnificent in its prose and sometimes overblown. It is Southern Gothic, focussing on the ramifications of slavery and bigotry.

Henry Forge is the only son of a proud Kentucky family. As a youngster, he was brutalized by his father and lectured about his place in history. We have some sympathy with him until, in his teens, he commits an unforgivable act.

He rebels against his father by turning the family corn plantation into a horse farm, but the nut doesn’t fall far from the tree. When his wife leaves him, his daughter is nine. He takes his daughter out of school and teaches her himself, all his lessons revolving around horses and breeding and including much out-of-date or just plain incorrect information. He is as elitist as his father—and worse.

Henrietta grows up with a talent for working with horses and a keen, cold intelligence. She also likes to pick up men for sex. Then she meets Allmon Shaughnessy, the new African-American groom, fresh from a prison program for working with horses.

Up to that point, the novel seems mostly a multigenerational saga, occasionally discoursing on geology, genetics, or history in the interludes. But after that it becomes wildly overblown at times, reminding me of the characteristics of Moby Dick that I disliked.

Like one other reader on Goodreads, every time I picked up this novel I wanted it to end. It is about deeply unpleasant characters; the least at fault—Allmon—whines his way through the novel. Its long asides are often irritating. It is sometimes beautiful and very dark, but it is often annoying.

Last year I read an essay—I can’t remember who wrote it—complaining about what I call “books only men like,” usually the ones that win awards. (I read this one for my James Tait Black prize project.) This essay commented that because a certain type of book gets attention and wins awards, now some women are beginning to write like men, using All the Birds, Singing as an example. I did not agree with the writer’s example but couldn’t help thinking of this essay while I read this novel.

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Review 1374: The Sellout

Really? This book won the Booker Prize? I know my sense of humor is getting to be out of date, and when I read on the blurb that the book was “biting satire,” I just sighed. There’s no subtlety in humor anymore, and this novel is a prime example. Its writing style is broad and hectic, like a really long stand-up comedy routine. I’m guessing you either love it or hate it.

The narrator, a black man whose name is Me, starts out the novel at the Supreme Court, where he is being tried as a slave owner and is getting a lot of hatred because of his race. He proceeds to tell the story of how he got there, spending lots of time getting to the crux of the story.

The beginning of the book, where he satirizes his upbringing as a subject of his father’s childhood development experiments, is over the top but amusing. When he introduces the character of Hominy Jenkins, the last surviving Little Rascal, his all-on employment of racial stereotypes (to make fun of them, of course) was too much for me. I quit about halfway, after he reluctantly made Hominy his slave.

Be warned that this novel makes extensive use of the N word. I’m not sure, but Beatty’s intent may be to desensitize us to it. If so, it didn’t work.

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Day 954: Americanah

Cover for AmericanahIfemelu has decided to return to Nigeria after living in the United States for 13 years. She has just finished a fellowship at Princeton and broken up with her American boyfriend, Blaine. In preparation for leaving, she also winds down her popular blog about race in America. While she is getting her hair braided, she thinks about her journey to this point.

Ifemelu grows up in a Nigeria where, for the young, the only hope seems to be to leave the country. Her father has been out of work for years because he was too proud to call his boss “Mam.” A few fat cats, like the general supporting Ifemelu’s Aunty Uju, are unbelievably rich, but there is no opportunity ahead of them for the young middle class. Most of them dream about leaving the country.

In high school Ifemelu falls in love with Obinze, who dreams of going to the States. The two enroll in a college in Nigeria where Obinze’s mother is a professor. But the dorm’s lavatories aren’t working and the professors haven’t been paid in months. Eventually, they go on strike, and Ifemelu must return home to Lagos. When she hears Ifemelu is at loose ends, Aunty Uju, who is now living in New Jersey, suggests that Ifemelu move there to go to school and help her care for her son.

In New Jersey Ifemelu begins struggling to find work, for her scholarship only pays 75% of her expenses. It is in this time period that she does something that separates her from Obinze. She stops taking his calls or responding to him.

Obinze has his own problems. His lack of opportunity in Nigeria eventually brings him to England as an illegal immigrant. There he struggles along with menial jobs, giving kick-backs to work under other men’s names. He is about to marry a woman for citizenship when he is deported.

Much of the novel is about the difficult immigrant experiences of the two main characters (although we spend much more time with Ifemelu) and Ifemelu’s experiences of race problems in the United States. Ifemelu’s observations on her blog provide an interesting, sort of third-party, perspective. With all of the recent police shootings of unarmed black men that have happened lately, this is a  topic that is on everyone’s minds.

I went back and forth on how much I liked this novel. In Ifemelu, Adiche creates a good, strong voice and a believable, likable character. I was not so enamored of the love affair at the center of the novel. The coming of age section at the beginning of the book I found trite and a little tedious, but that is only about 60 pages long. However, the moral decisions at the end are more troubling, or in fact, that there is absolutely no thought about them, that’s what troubles me. I found very interesting, though, Ifemelu’s reaction to the changed Nigeria when she comes home.

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