Review 1678: The World My Wilderness

Seventeen-year-old Barbary Deniston has grown up running wild in occupied France and was a member of the enfante maquis of the French Resistance. Now that the war is over, she doesn’t seem to know the difference and is still involved with the maquis, which is hunting down collaborators. Her mother, Helen, was neglectful while happy with her stepfather, but now that he has died, they’ve had a falling out. Helen decides to send her to London to live with her father, Gulliver. Also going is her stepbrother Raoul, who is to study and learn his uncle’s business.

Barbary is a fish out of water in her father’s upper-middle-class home. He is too busy with work to pay attention to her, and his wife, Pamela, dislikes her. In many ways immature, Barbary believes her parents would reunite if it weren’t for Pamela and her baby son, so she is determined to dislike them. Her father enrolls her at the Sloane and just assumes she goes there, but she and Raoul roam the streets and find a ruined section of London that reminds them of home. Soon, they are associating with deserters and thieves.

Macaulay treats all of her flawed characters with empathy, but it was hard for me to relate to Barbary. However, this novel made me realize how chaotic post-war France and London must have been. I haven’t read any other books that deal with that subject.

Related Posts

The Wardrobe Mistress

The Death of Bees

Warlight

Review 1631: Mrs. Tim Gets a Job

It turns out that Mrs. Tim Gets a Job is part of a series. Unfortunately, because I’d rather read series books in order, I never find this out until I mark that I’m reading it in Goodreads. Luckily, the novel seems to stand perfectly well on its own.

The Second World War is over, but Mrs. Tim’s husband is still stationed in Cairo and won’t be getting home anytime soon. Mrs. Tim’s two children are off at school, and she finds herself at loose ends. So, without really consulting her, a friend arranges a job for her at a hotel in Scotland. At first, Mrs. Tim is inclined to turn down the job, but then she gets a letter from her landlord giving her notice to move out.

With trepidation, she sets out to work for Miss Clutterbuck, who she understands is a difficult person. Miss Clutterbuck has been forced to open her family home to the public, and she has a rude manner. Mrs. Tim finds that part of her duties is to talk to the guests, because Miss Clutterbuck can’t bear them.

This novel is written in a light style as a diary, reminding me very much of the Provincial Lady series except gentler and with less overt humor. We follow Mrs. Tim’s progress as she grows to appreciate Miss Clutterbuck, learns how to deal with a housemaid who hates her, and straightens out a guest’s love life. I enjoyed this book very much.

Related Posts

Miss Buncle’s Book

Miss Buncle Married

Diary of a Provincial Lady

Review 1462: Not at Home

Miss Elinor MacFarren is dismayed to realize that something must be done about her finances. With World War II just past, there has not been much recent demand for her beautifully illustrated books on botany. She decides, with the London housing shortage going on, that she must find someone to share her lovely family home, filled with treasures.

When she interviews Mrs. Bankes, whose husband is an American journalist, she has some misgivings, but Mrs. Bankes agrees to all her conditions, and she relies upon the warm recommendation of her friend, Harriet Greenway. It’s not too long after Mrs. Bankes moves in, though, that the house is noisy and disorganized. Miss MacFarren’s precious objects are being mistreated, and Mrs. Bankes is using up all the time of the shared housekeeper. She is even taking Miss MacFarren’s food from the kitchen.

Mrs. Bankes proves to be a manipulator and a liar, willing to do or say anything to get her way. The situation is complicated when Mr. Bankes arrives, because he is so nice and appreciative of the house. Miss MacFarren can’t bring herself to give them notice while he is there.

This domestic comedy is thoroughly enjoyable as Miss MacFarren gets out of her rut, meeting new people and re-evaluating old acquaintances. With their help, she tries to figure out how to eject her unwelcome lodger.

I received this book from the publishers in exchange for a fair and honest review.

Related Posts

All Done by Kindness

A Winter Away

The Old Man’s Birthday

Review 1426: The Wardrobe Mistress

In post-World War II London during a cold winter, the famous actor Charlie Grice, called Gricey, has died. His widow, Joan, a wardrobe mistress, is bereft. When a young actor, Daniel Francis, takes over Gricey’s role as Malvolio and plays it exactly the same, Joan comes to believe that he has become Gricey.

As Joan is beginning to befriend Daniel Francis, or Frank Stone, his real name, she makes a horrible discovery about Gricey. Behind the lapel of one of his coats she finds a badge, the emblem of Britain’s fascist party. This is doubly horrible because Joan is Jewish. Asking around discreetly, she finds what everyone else knows—Gricey was indeed a fascist.

The stress on Joan becomes even worse as her friend Frank begins working with her daughter Vera on The Duchess of Malfi. Vera’s husband and his friend Gustl ask her to help them fight the fascists by infiltrating them.

This novel is written from an omniscient viewpoint with a first person plural accompaniment by the ladies of the chorus. This technique lends it a certain ironic tone. It’s a creepy and atmospheric novel that chills to the bone.

I read this novel for my Walter Scott Prize project.

Related Posts

Munich

Midnight in Europe

The Spoilt City

Day 1275: The Women in the Castle

Cover for The Women in the CastleIn 1938, a group of Germans meet at Burg Lingenfels, a castle in Bavaria, during a party. They are resistors against the Nazis, and they are planning to kill Hitler. After the meeting, Connie Fledermann, a childhood friend of Marianne von Lingenfels, asks her, if the plot fails, to take care of his wife, Benita, and the other wives of the men involved in the plot.

In 1945, the European war is over. Marianne’s husband was executed during the war for his part in the conspiracy. She has returned to the castle and begun looking looking for the wives she promised to help. So far, she has only found Benita, who spent time in a camp, and Anie, the wife of a man she can’t really remember. But both women have secrets, and post-war Germany is a dangerous place. This novel tells the women’s stories through flashbacks as it moves forward in time to the 1990’s.

Although I don’t understand quite why, I didn’t really get that involved with this novel. It may have been because Benita and Anie have some secrets that aren’t revealed until the end, which leaves them relatively unknowable. Marianne is the only character who seems to have much depth.

Related Posts

Salt to the Sea

The Zone of Interest

A Country Road, A Tree

Day 1156: Bramton Wick

Cover for Bramton WickI so enjoyed A Winter Away that I looked for more novels by Elizabeth Fair immediately. I found that they are being reprinted in a nice edition by Furrowed Middlebrow. Bramton Wick is Fair’s first novel, set in a village in post-World War II England. It is a gentle domestic novel with a bit of an edge.

Although the novel features several eccentric denizens of the village, it centers around Laura and Gillian Cole. Mrs. Cole and her family used to be the owners of Endbury, one of the large homes in the area, until Mr. Cole died and they had to sell. Mrs. Cole, although she dislikes the current owner of Endbury, Lady Masters, has begun to notice that Lady Masters’ son Toby has a liking for Laura.

Neighbors Miss Selbourne and her friend “Tiger” Garrett raise dogs in a cheerfully disordered household. Miss Selbourne has noticed, though, that whenever there is something unpleasant to be done, Tiger gets ill.

The neighborhood isn’t short of elderly women, for the Miss Cleeves are also nearby. The Miss Cleeves are penniless and dependent upon their landlord, Miles Corton, for help. Miss Cleeve is profoundly deaf, one sister is a religious fanatic, and the other sister sprinkles her malicious gossip with untruths.

Gillian, Mrs. Cole’s other daughter who is a war widow, has decided to take under her wing the wealthy new resident of the village. Mr. Greenley is from new money. He dresses like a parody of an English country gentleman and has not been welcomed to the village. Gillian thinks he just needs a little help fitting in.

This novel is gently comic, reminding me of Angela Thirkell without quite so much sharpness and snobbery. As Laura tries to figure out what she wants from life, we are greatly entertained by the antics of her neighbors.

Related Posts

A Winter Away

Wild Strawberries

Money to Burn

Day 1127: Merry Hall

Cover for Merry HallMerry Hall is a delightful book that I never would have heard of had I not participated in the 1951 Club. The organizers are going to pick a year in the 1960’s for the next club, so if you’re interested, keep an eye on their blogs.

Shortly after World War II, journalist Beverley Nichols decided he must have a garden. Merry Hall is the story of his search for a property and his decision to buy a somewhat decrepit Georgian manor house. But it is more particularly about everything related to the garden.

Nichols’s descriptions of flowers and trees are lyrical and his stories charming and funny. After viewing the disarray of the ornamental gardens at the manor, he is stunned by the order and beauty of the kitchen garden but has difficulty interesting the gardener, Mr. Oldfield, in the creation of a new ornamental garden. He has to fight the ghost of Mr. Stebbing, the previous owner, who has execrable taste, every time he wants to change something. His neighbor, Miss Emily, thinks Mr. Stebbing had wonderful taste and flinches every time she notices something Nichols has changed. She also makes frequent demands for Nichols’s vegetables, even requesting him, on no acquaintance at all, to drive them to her house as if he were a grocer.

Where taste is concerned, Nichols also has his battles with Our Rose, famous for her “creative” floral displays, which Nichols abhors. Other amusing characters dot the pages of the memoir, in particular, his friend Marius, who is so erudite that Nichols rarely knows what he’s talking about.

In between Nichols’s amusing stories of his friends and his cats, “One” and “Four,” is the heart of the book—Nichols’s love for growing things, color, and beauty, eloquently expressed. Here he is after a section about his water garden:

There had been times when one wondered if it was really worthwhile. All this was forgotten now; I had my reward in that silver thread of water, sparkling in the moonlight.

For you see, it really is a magic water. How otherwise could you describe it? Is it not the essence of all gardens’ sweetness? There is the dew of white violets in it, and the raindrops from their dark green leaves. There is the juice of apples in it and the savour of all the pears and plums that fell into the long grass in September, and were forgotten and grew as brown as the earth with which they mingled. There is the scent of snow in it—for snow, as you should be aware, has a distinct scent, and so for that matter, has the North wind. And there is the tang of ice . . . the ice that laid out its little mirrors of glass all through the orchard in the clear days of January, so that the sky might lean close and see its face.

I am not at all a gardener, although I hope to become a sort of one now that I live in the country, but Nichols’s descriptions had me googling flower names like mad. This is a lovely, lovely book, and I am so happy to have read it.

Related Books

A Farm Dies Once a Year

H Is for Hawk

Christowell, A Dartmoor Tale

Day 1111: The Gustav Sonata

Cover for The Gustav SonataUntil the very end of The Gustav Sonata I wondered what its point was. It is a novel detached from its characters even as it puts them through events that should make us sympathetic. Further, although it is set in a specific time and place, there is little feel for what it was like then and there. This effect is in strong contrast to Tremain’s two novels about Merivel, set in Restoration England.

The novel begins in 1947, when its main character, Gustav Perle, is five years old. Although Gustav is Rose Tremain’s exact contemporary, parts of the novel are set earlier, before Gustav was born.

Gustav’s father died when he was a baby. He was a member of the police force for their small town in Switzerland, but he lost his job before Gustav was born, under circumstances that Gustav’s mother does not fully understand. All she knows is that Erich died “helping the Jews.”

Gustav’s mother Emilie has raised him without a shred of affection but only with criticism. The lack of affection is tempered somewhat by his lifelong friendship with Anton, whom he meets the first day of Kindergarten. Emilie does not like Gustav’s friendship with Anton, because Anton is Jewish. But Anton and Anton’s family are all Gustav has, really.

Anton is always a self-absorbed person. He is nervous and highly strung, a musical prodigy. Anton’s mother thinks he will become a famous musician, but he is terrified in competition and performs badly.

An important theme in this novel is Swiss neutrality and its correspondence with personal neutrality. Gustav, although faithful to his friends, is always concerned with self-mastery and holds back from his own life events. But so does this novel hold back from its characters, as if observing them through a glass.

I found this novel interesting but not involving. I think it took too long to get to its point. It is another novel for my Walter Scott prize project.

Related Posts

Merivel: A Man of His Time

The Glass Room

A View of the Harbor

Day 966: Last Post

Cover for Last PostBest Book of the Week!
This last volume of Ford Madox Ford’s modernist work Parade’s End is unique in that its main character, Christopher Tietjens, barely appears, even though the book continues to be about him. It may be my imagination, but it seems as if he has been less of a presence with each book.

This volume is narrated from the point of view of four characters during a single day. Mark Tietjens, Christopher’s older brother, begins and ends it. Mark has been overcome by a stroke and is not speaking. He and his wife, Marie-Léonie, are living in a country cottage with Christopher and Valentine Wannop. They have built Mark a hut with no walls from which he watches and listens to the events of the countryside.

It is some time after the events of volume 3, but Mark remembers Armistice Day and the days following that brought them to the cottage. The peace of the cottage is about to be disturbed, though, because the vengeance of Christopher’s wife, Sylvia Tietjens, has provoked a number of people to descend upon it.

Sylvia has incited the eccentric tenant of Groby, the Tietjen’s ancestral home, to fell the great tree of Groby, and it has taken part of the house with it. Mrs. de Bray Pape has been egged on by Sylvia to belatedly ask permission from Mark. Accompanied by Christopher’s son, Mark, who keeps trying to draw her away, Mrs. de Bray Pape subjects the older Mark to an inaccurate lecture on history. Since Sylvia has hinted to everyone that Mark is ill from syphilis, they can’t understand why he won’t speak to them.

Subsequent sections of the volume are from the points of view of Marie-Léonie, Valentine, and Sylvia. As the cottage environment descends into chaos with the arrival of more visitors urged on by Sylvia, Sylvia makes a momentous decision.

Although I have not read much about Ford’s life, some of the notes in my annotated edition by Carcanet lead me to believe the novels are at least partially autobiographical, both in the portrayal of the war and in the personal relationships. I have really enjoyed this novel about a man who is completely misunderstood because his name has been blackened by his ex-wife and the wife of a woman whose husband owed him money. Some of the novel deals with the idiocy behind World War I, but it is mainly about the end of an era. Christopher thinks of himself as a man who belongs in the 18th century, and he is a symbol for the destruction of a way of life, with of a kind of outlook that others think must be dragged into modern times. I will be looking for more by Ford.

Related Posts

Some Do Not

No More Parades

A Man Could Stand Up

Day 952: My Brilliant Friend

Cover for My Brilliant FriendI think my reaction to My Brilliant Friend must be affected by all the hype it has received. That is, I put off reading it because I am often disappointed by novels that are wildly popular. Nothing can live up to the hype, and this novel doesn’t either, but it almost does. It is merciless in its clear-eyed look at the relationship between two frenemies.

The novel begins in the present, where Elena Greco looks back at her relationship with Lila Cerullo. Elena and Lila know each other from childhood. They are neighbors in a rough, poor neighborhood on the outskirts of post-war Naples. From the beginning they are wary, competitive friends. Elena admires Lila’s courage and in school grows to admire her fearless intelligence. But, as the second best in class, Elena finds herself competing with Lila and disliking her secondary position.

Both Lila and Elena are encouraged by their teacher, Maestra Oliviero, but when Lila’s parents won’t allow her to take the exam to enter the equivalent of middle school (I guess) because she has to work, Maestra Oliviero spurns Lila. She continues to study on her own for a while, even helping Elena with her Latin, but eventually, as she gets older, she avoids discussing Elena’s studies as it is too painful. Elena for her part finds herself increasingly isolated from most of her community, because there is no one with whom she can discuss the ideas she is interested in. Only Lila is capable of understanding them, and she begins avoiding these subjects.

Something else Lila and Elena would like to avoid are the Solara brothers, whose father is part of the Camorra crime syndicate. When Elena is a young teenager, the boys attempt to drag her into their car, but Lila stops them by pulling a knife. This action apparently endears her to Marcello Solara, who begins hanging around Lila’s house with the cooperation of her parents.

I can only guess that the effect of this series builds as the reader continues on with it. Certainly, the novel has a climactic ending that makes me wonder what’s coming next.

I felt that the emotions Elena expressed during the novel were immature, but then I had to keep reminding myself that the girls are only 16 at the end of the novel. Elena seems to be totally oblivious of how painful it must be for Lila to hear about her intellectual achievements, and Elena still continues to try to compete with her. Although Lila seems abrupt and dismissive at times, at other times she lets Elena know how she appreciates her.

Related Posts

The Shoemaker’s Wife

Empire Girls

Juggling