Day 1077: Four Letters of Love

Cover for Four Letters of LoveBest Book of the Week!
I was so enchanted by History of the Rain that after finishing it, I soon looked for other novels by Niall Williams. Four Letters of Love is his first.

Nicholas Coughlin is a boy when his father abandons his career as a civil servant to paint, saying that God wants him to. For two summers, he leaves Nicholas and his mother home alone while he goes out to paint. The rest of the year, he obsessively reworks the paintings he did in the summer.

Then Nicholas’s mother dies, but stays to haunt the house. His father intends to go out as usual and leave Nicholas home alone for a few weeks, but Nicholas follows him. His efforts all along are to try to capture some of the attention of this obsessed, abstracted man.

Isabel Gore is the daughter of a schoolmaster on an island off the coast of Galway. Her brother Sean is a gifted musician, but one day after playing for hours while she dances, he has a fit and after that is mute and wheelchair bound. Isabel blames herself for Sean’s condition.

The Master sets all his ambitions on Isabel’s academic career and sends her to Galway to a convent school. But Isabel has a streak of wildness in her and sometimes walks off from school. On one such expedition as a teenage girl, she meets Peader O’Luing. He is a poor excuse for a man, but she doesn’t see that and falls in love.

The novel makes no secret that it is moving toward the meeting of Nicholas and Isabel. To get there, it tells their stories with some whimsy, some pathos, and a touch of magical realism. Although the writing style and voice are not as distinctive as that of History of the Rain, the novel is still beautifully written. I enjoyed it very much.

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Day 914: History of the Rain

Cover for History of the RainBest Book of the Week!
The distinctive voice of its narrator is what stands out to me about History of the Rain. But again, I feel as if I may not be able to convey just how wonderful I found this lovely novel.

Ruthie Swain is a young girl bedridden from an illness. In her attic bedroom under a watery skylight she is trying to read her father’s thousands of books. She is also writing a novel to try to understand him. During this effort, she writes about Ireland, her village, and the history of her family, especially about the Impossible Standard. Her story incorporates the mythological heritage of Ireland as well as references to countless literary authors and characters and the eccentric residents of her village.

Ruthie’s mother’s family, she says, evolved from salmon, and her mother first meets her father salmon fishing, and is hooked. But that gets way ahead of the story, which in unchronological order recites the history of her father’s family, the story of the Impossible Standard and his evolution into a poet.

To give a flavor of the novel, here is how Ruthie imagines the first time Ruthie’s father Virgil is invited to dinner at her mother’s house:

“So, how do you like it here?”
“Very much.”
“Good.”
That exhausts the dialog. She realizes she hasn’t folded the napkins and takes hers and begins to press it in halves. Virgil does the same. Both of them are useless at it. Maybe evenness is a thing intolerable to love. Maybe there’s some law, I don’t know. She lines up the halves of hers, runs her forefinger down the crease. When she picks it up the thing is crooked. So is his. She undoes the fold and goes at it again, but the napkin wants to fall into that same line again and does so to spite her, and does so to spite him, or to occupy both with conundrums or to say in the whimsical language of love that the way ahead will not be a straight line.

She doesn’t give up, and he doesn’t give up. And in that is the whole story, for those who read Napkin.

This novel is funny, heartbreaking, and lovely. It is about the loves of reading and poetry and Ireland and life. I loved this book.

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