Some of Gene Stratton-Porter’s more well-known novels have been favorites since I was a girl and favorites of my mother before me. I’m speaking particularly of A Girl of the Limberlost, Laddie, A True Blue Story, and to a lesser extent, Freckles. In most of her novels (Laddie is an exception), she features disadvantaged young people who improve their lives through honest hard work, perseverance, and a love of nature. (Laddie wins his girl through honest hard work, perseverance, and a love of nature.) Stratton-Porter has a tendency toward melodrama that I think wasn’t unusual for popular fiction of the time, and most of the time you just go with the flow. So, I was pleased to find Michael O’Halloran, a novel from 1915 that I had never read, in a used bookstore.
Michael, or Mickey, is a young newsboy. He has been living on his own since his mother went away ill. At the beginning of the novel, he takes on another youngster, a crippled girl named Peaches, whose grandmother has just died. Both children fear the state orphanage.
Mickey attracts the attention of Douglas Bruce, a lawyer, when he has a fight with another newsboy who tries to cheat him. Bruce is struck by his insistence that things be “square,” that is, honest. He wants to be Mickey’s “big brother” and help him make his way, but Mickey is too independent. He is also familiar with another man who has a “little brother,” Mr. Minturn. Mickey and a respectable woman witnessed a nanny battering the head of Mr. Minturn’s daughter against concrete and then coaching her two brothers in a lie when the little girl became unresponsive. After she died, Mickey and the woman tried to tell Mrs. Minturn about it, but she called them liars. Then they tried Mr. Minturn, but he did nothing.
It was at that point that the novel lost me. Bruce and his fianceé, Lesley Winton, already had a project to try to reconcile the Minturns to each other. After that story and their daughter’s death, I didn’t want to read about them, and I could see where the plot was leading me. Also, Stratton-Porter can have a tendency toward sappiness, especially when she depicts children. Mickey’s story was already quite saccharine. I was willing to put up with that until the Minturns turned up. With regret, I decided not to finish this novel.