Elif Shafak is one of the most widely read Turkish women writers. I have only read one of her books so far, so when I saw 10 Minutes 38 Seconds in This Strange World on my Booker prize list, I was interested to revisit her. However, I’m not entirely sure what I think of this unusual novel.
The convention of the first part of the novel is that Leila, a sex worker in Istanbul, has been murdered. Her brain is active for 10 minutes and 38 seconds while she revisits scenes from her life, each chapter representing a minute of brain activity. These chapters are separated by short sections about the lives of her five friends, who all in some way live on the fringes of society.
My first reaction was an impatience with this idea, that 10 minutes was to be represented by nearly 200 pages of text. I have a real problem with attempts like this in fiction to represent a short amount of time with several hours worth of reading. In this case, though, I got used to the idea but felt that the sections introducing the friends are an inelegant solution to our barely seeing them in the first part of the novel while the second part deals with how they handle the aftermath of Leila’s death.
And the change of tone in the second part is what bothered me most. For, we go abruptly from an elegiac tone in the first part while we learn about Leila’s difficult life to one of almost madcap comedy as a bunch of lovable misfits try to give Leila an ending she deserves. To me, this felt like a grinding change of gears.
It is brave of Shafak in her country to write about violence against women, especially since I understand she is being investigated by the Turkish authorities for it (or was when I read this months ago), but her supporting characters seem almost like caricatures to me, possibly because we don’t see that much of them in the first part. I felt like the second part of the novel almost undercuts the first part.