In a lonely attic, a neglected child sits and makes clothing for her doll out of old clothes. Everyone is out, surely, but she hears voices on the stairs. These voices belong to her two children, twenty years in the future.
Those children are twins, Vere and James, who have been taught by their mother that all time is simultaneous. The two do indeed experience flashes of visions and sounds from other times, events that occurred in the room years before.
Vere and James’s happy growing up, along with their sister, Lalage, is interrupted by the death of their father. The family is left in financial difficulties and must move from their suburban home to a small house in London. This brings their mother, Anne, back into the orbit of her own mother, the formidable Lady Vallant.
It is clear that, when she returns from visits to her mother, Anne appears to be more worn than usual. Anne’s children know that the two don’t get along and suspect that Lady Vallant harasses Anne. However, a chance remark reveals to them an aunt they didn’t know existed, Myra, who died when she was young.
Vere and James receive impressions of serious events that are not talked about. They begin trying to find out the secrets in their family’s past.
This novel is a ghost story but not in the sense of one meant to scare. It reflects Ferguson’s interest in houses and her sense that actions taken in a room stay in that room’s atmosphere. This idea also occupied A Footman for a Peacock, which I found considerably less likely than this novel, which is set during World War I.
I like a ghost story, but this novel has more going on than that. It’s a story of how family events can affect the lives of others who weren’t even alive when they happened. It’s a good character study of Vere, who cares deeply about a few people but is meticulous and reticent in nature. It is also about a chaste love affair with an older man—and his wife. I didn’t really understand the charms of that relationship, but I very much enjoyed this novel.