The Candy House is billed as a follow-up to A Visit from the Goon Squad, but at first, aside from its structure as linked short stories, I wasn’t sure why. Bix, a wealthy high-tech entrepreneur, is not one of the characters from the original novel, I don’t think, nor is Alfred Nollander, whose quest for authenticity leads him to scream in public just so he can see the expressions on people’s faces. (Although later I realized he was a child in the first book.)
However, as I continued reading, I encountered familiar names and realized I was dealing mostly with descendants and connections of the original characters. A lot of the novel deals with social media run amok, a world where it is common for people to upload their unconsciousness to the internet using the software provided by Bix’s company, Mandala, and the opposition to this and other such practices by the company formed by Chris Salazar, the son of Benny of the previous book.
The novel doesn’t seem as experimental in form as the original, although there is a chapter constructed in Instant Messages and another of a recorded manual, but that’s really because Egan’s approach, which was unusual when the previous novel was published, is more common now. Set from the 1990s to roughly the 2030s, the novel is more futuristic.
Although I wasn’t blown away by this book as I was by its predecessor, I was happy to revisit the lives of its characters, all of whom eventually reappear, even those from the ridiculous tale that parodied the P. R. field. Another good one for Egan.