Day 1064: The Shadow Land

Cover for The Shadow LandBest Book of the Week!
Although I was a little disappointed by The Swan Thieves, I liked Elizabeth Kostova’s The Historian so much that I was excited to get my hands on an early copy of The Shadow Land. It has a few minor problems, but overall, does not disappoint.

Alexandra has arrived in Sophia, Bulgaria, early for her teaching job so that she can have the summer to see the sights. However, a series of errors sets her on a different path. Instead of dropping her at her hostel, her taxi driver takes her to the Hotel Forest. There she helps an elderly couple and middle-aged man with their luggage as they get into a taxi. Only once she is in another taxi does she realize that one of their pieces of luggage got mixed up with hers. To her horror, she finds it contains an urn with someone’s ashes.

With her driver Bobby’s help, Alexandra begins trying to find the family. They had not been staying at the hotel they came out of. Alexandra feels she has no option but to go to the police. Once she has visited with them, though, and has been given an address based on the name on the urn, Stoyan Lazarov, she and Bobby begin to receive threats. Eventually on their search they find a potentially explosive manuscript about Lazarov’s experiences during the Communist regime.

Although the main intent of the novel is to tell about this dark time in Bulgaria’s history, this novel makes a great suspense story in the manner of Mary Stewart, with just a dash of romance. Like Stewart’s novels, it is evocative of its setting, as Alexandra and her friends travel from place to place in Bulgaria.

link to NetgalleyAlexandra’s adventures in Bulgaria are interrupted, first by the story of her brother Jack’s disappearance when she was younger and later by chapters from Stoyan Lazarov’s manuscript. These interruptions pose one of the slight problems with the novel. There doesn’t seem to be much reason for the first story—as a backstory for Alexandra it is important but could have been handled more economically. The second narrative serves both to finally provide the key to the plot and to prolong the suspense. But I found it to be a bit too prolonged, with too much detail about how Stoyan Lazarov keeps up his inner strength during his trials. The effect of both interruptions was to slow down the main narrative.

Those are minor criticisms, though. A little larger one is that the identity of the villain and his reason for pursuing our heroes are both fairly easy to guess. Still, I found this novel suspenseful and fun to read, with a chunk of Bulgaria’s dark history as a bonus.

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