“The Doom That Came to Sarnath,” which I read for the 1920 Club, was my introduction to H. P. Lovecraft, whom I’ve read about for years. Based on this one story, I can’t really say much about Lovecraft’s work, but I intend to read all of the book it came in, The Annotated H. P. Lovecraft: Beyond Arkham.
The short story is written in archaic language that is supposed to remind us, and does, of old stories and legends. It tells how men came to live near the ancient city of Ib, occupied by green, voiceless beings with bulging eyes, and destroyed the city and all its inhabitants, and how its sea green idol disappeared. There the men founded the city of Sarnath.
Later, the city becomes wealthy and so beautiful that people from other cities visit it. But doom was foretold with the original actions of the men, and on the city’s thousandth anniversary . . . . Well, I won’t tell.
I get the impression just from the notes on this annotated edition that Lovecraft invented whole worlds that he returned to in other stories. The story is atmospheric but very short and not particularly scary or disturbing.
The Bridal Wreath
The Bloody Chamber
I haven’t read any Colette for a long time, so I thought it would be fun to read Chéri for the 1920 Club. It is the story of Léa, a middle-aged but beautiful courtesan, and her young lover, called Chéri, set in 1913.
Léa has been with her spoiled, childish lover since he was a very young man, but now his mother, Madame Peloux, thinks it’s time he was married. So, he and Léa prepare to part. Once parted, though, they both realize that they loved the other more than they thought.
Colette’s world of wealthy and stylish early 20th century Parisians is in some ways more foreign to me than stories about cultures much further removed. I couldn’t help feeling how sterile are lives lived only for pleasure. Also, I don’t really understand the attraction of a young man who behaves like a petulant child. But this is part of the realization that Léa finally has, that it’s about time he grew up.
The descriptions of people, rooms, and clothing are evocative and lovely. Despite my not being over fond of it, this is a masterly examination of the human heart.
Some Do Not
Rules of Civility