It was difficult for me to decide how much I liked The Bookman’s Tale. Parts of it were very interesting and just up my alley, while other parts of it struck me as unnecessary.
Peter Byerly is a young seller of antiquarian books. His beloved wife Amanda died unexpectedly, and since then, he has been taken over by grief. He has moved from the States to the cottage in the Cottswolds that they bought just before she died, because their previous home held too many memories.
Peter finally becomes interested in something when he finds a watercolor of a woman who looks like Amanda in a book in an antiquarian book shop. In trying to track down more information about the artist and his subject, he gets onto the track of a document that could be the holy grail for antiquarians—something that proves Shakespeare wrote his own plays. This document is in the form of the Pandosto, a play written by Robert Greene that formed the basis for Shakespeare’s The Winter’s Tale. This play seems to have Shakespeare’s annotations in it. Later, there is a murder.
Periodically, we go back in time to trace the course of this document. We know there was a real Pandosto, because we see that a man lends it to Shakespeare with some trick in mind.
We also periodically look back to Peter and Amanda’s romance. Peter trains as a book restorer, so we learn something about this field, which I found fascinating. However, although I was interested in Peter and Amanda’s relationship at first, after a while I started to wonder why we were getting so much detail about it, since it didn’t have that much to do with the rest of the book.
So, a mixed review on this one. It has a good mystery about two feuding families and a lot of interesting detail about books, but the romantic storyline slows it down after a while.
Golden Age is the last book in Jane Smiley’s Last Hundred Years trilogy. It begins in 1987 and finishes a couple of years into a slightly dystopian future.
The Langdon family tree has expanded since the first book. Now, the original Langdon children are in their 60’s and 70’s. One has died of cancer, and by the end of the novel, only one of them is still living.
By necessity, this novel concentrates more on some of the Langdon descendants than others. Frank and Andy’s sons Richard and Michael are continuing to clash. Richard forges a political career by being a compromiser, while Michael makes it big on Wall Street and subsequently misappropriates funds from several member of his family. Joe’s son Jesse continues to struggle with the farm while both of his sons go to war. Claire finally finds happiness with Carl. Felicity becomes an environmental activist, while Janet spends most of her time with horses. Henry and Andy are also important characters.
Like the other novels, Golden Age covers most of the important events in its time period, the past 30 years—recessions, wars, 9/11, climate change, and fiscal crimes. Guthrie goes to Iraq. A family member is killed on 9/11. Michael is a major criminal on Wall Street.
Although I still felt some distance from the characters because there were so many and because the narration skips around from one to another so often, I couldn’t help but be caught up by the sheer volume and breadth of the trilogy. I wasn’t sure what I thought about the projection into the future of a country largely devoid of rain and mounting in chaos. Smiley, of course, couldn’t predict our current peculiar election results, which shows up the problems with this type of predictive writing in a largely realistic novel. Some aspects of her last chapters remind me a bit of Margaret Atwood’s Maddaddam series.
It was interesting to contrast Lafayette in the Somewhat United States with the other book about the American revolution I read recently, Nathaniel Philbrick’s Valiant Ambition. While Valiant Ambition concentrated on what made Benedict Arnold a traitor, this book focuses on the French contribution to the war, embodied particularly by the Marquis de Lafayette.
In some ways, both books cover the same ground, particularly the woeful state of the Continental army. Several times, infusions of cash from the French saved it from utter ruin. But the writing style and the intent of these books are different. Vowell’s book is written in an informal, sprightly style with many references to current popular culture. Also, Lafayette’s impetuous, affectionate character comes through strongly.
This book is a slightly quirky homage to Lafayette’s contribution to our country, featuring side-trips to various battlefields and landmarks as well as a cogent, irreverent discussion of the events. It is a fun read.
Hide and Seek is Wilkie Collins’s third novel. It acknowledges inspiration from Charles Dickens and shows his influence in plot and characterization. It is getting closer to the works he is most famous for but is certainly not his best.
The novel begins in the household of Valentine Blyth, an artist. Valentine is a breezy, accepting person with an invalid wife. The one thing he fears to lose is his adopted daughter, Madonna, whose parentage is unknown. He is afraid that someone will come and take her away sometime.
Valentine himself took Madonna from the circus. She had been taken in at birth by Mrs. Peckover, a clown’s wife. Her mother died having her, refusing to speak of her people and leaving behind only a bracelet made from two people’s hair. Madonna later became a deaf/mute after an circus accident, and Valentine saved her from harsh treatment by the circus master.
Valentine has befriended a careless young man named Zach, with whom Madonna is in love. Zach in his turn befriends a rough man named Mat, who has just returned from adventures in the Americas. Here Collins’s geography breaks down a bit, for Mat speaks mostly of adventures in South America and claims to have been scalped in the Amazon, when scalping and some of the other things he mentions are definitely North American. It is through the identity of Mat that the plot thickens.
In this novel, Collins’s characters tend to be one-dimensional, and his plot is often easy to predict. Several times I was ready to quit because I felt the novel dragging. This was probably because, although most of the characters are likable, I wasn’t particularly interested in them. I think Collins is at his best in mystery plots (although this one has its mysteries), and his characterization eventually becomes much richer.
It’s time for another Classics Club spin. We are to choose 20 books from our Classics Club lists, and on Friday, the Classics Club will pick a number. That will determine the book we will read for May 1.
I am getting so close to completing my list that I haven’t had 20 books left to pick for the last several spins. This time I’ll list both Henry VI, Pt. II and III, which will force me to read Pt. II if Pt. III is chosen. Then I’ll be done with old Henry. So, here goes:
Like Olive Kitteridge and a few other books I’ve read the last few years, Alice Munro’s The Beggar Maid is a novel constructed from short stories. It tells the story of Rose and of her relationships with other people in her life.
The stories about her childhood and adolescence are mostly about her complex relationship with her stepmother, Flo. Rose feels she can never please Flo, but at the same time she finds Flo rude and vulgar. These early stories also portray an environment of ignorance and poverty, her stories about school particularly shocking.
“The Beggar Maid” is what Rose’s first boyfriend Patrick calls her. But as Rose marries Patrick, who moves them to Vancouver to run one of his father’s department stores, Rose slowly learns that both of them have overestimated Patrick’s own gentility. Rose has thought she was marrying a scholar not a department store heir. As she is attracted more and more to the bohemian crowd in Vancouver, it becomes more obvious how unsuited the two are.
Munro’s stories are insightful about people, and as I believe Rose is Munro’s alter ego, unsparing in looking at herself. Her prose is, as always, spare and beautiful.