The Half-Crown House is Fountain Court, a once-stately home that has fallen into disrepair after years of money and estate mismanagement and crippling death taxes. Its heir is Victor Hornbeam, a little boy who is coming to live there for the first time, his widowed mother preparing to marry. The property has been supported for years by Victor’s young aunt, Henrietta, who opens the house for viewing, and her cousin Charles, wounded during the war, who runs a market garden. They are struggling to support the estate so that they can hand over something to Victor when he comes of age. The only other family member living in the house is their grandmother, now bedridden, whose ferocious spending and mismanagement has bankrupted the family.
As the novel opens, Victor is arriving on one of the visitor’s days. Henrietta has a wealthy American suitor who wants to buy one of the valuable paintings, and she is hoping to sell it. However, that morning her grandmother tells her that it, along with many of the other paintings and jewels in the house, is a worthless copy that she had made when she needed to sell the original to pay her debts.
The household is wondering if Henrietta will marry the American, but it was apparent to me early on that her heart lay elsewhere. That only increases the little bit of suspense around this decision.
This novel is a meandering one. At times, it is much more concerned with the past elegance of the house and the events of the long-dead Hornbeams than with the living, for it goes off into little vignettes either through the memories of its inhabitants or during the descriptions of its current state. Thus, it particularizes the postwar state of the country, when many large homes were being dismantled or sold.
It’s an odd little book that reminded me a bit of Lady Rose and Mrs. Memmary and a couple of Rumer Godden novels that center around a house over the generations.