Whippoorwills is primarily an epistolary novel set in the Missouri Ozarks and Northern California. The premise of the novel is that Leigh, in California, wants to write a novel about Rosie’s friend, Chrystal, who disappeared when the girls were in high school. The two women are also linked by Melody, Rosie’s friend and Leigh’s sister, who is now dead.
The story is told in a rambling, folksy way by Rosie in Missouri, as she tries to convey information for the novel to Leigh. Intermittently, we also get a slice of Leigh’s life in California as she struggles with a job she hates and tries to find time to write.
This novel is well written and full of local color, both in its eccentric but likable characters and its vivid colloquial style. For all its expressed premise, it is really about the life of Rosie, whose fundamentalist background and natural naiveté combined with several horrific experiences send her into periodic mental illness.
For patient readers, there is a certain amount of payoff, but you have to embrace its many circumlocutions in Rosie’s eccentric way of expressing herself and just go along for the ride. At first, I wondered if the story of what happened to Chrystal was ever going to get anywhere, but then I realized the story was really about Rosie.
I did feel, though, that the novel was a bit too long and wandering and that the sections about Leigh didn’t add much to it. I enjoyed much of it, though, and found some of it touching.