Now that I have reviewed Miss Boston and Miss Hargreaves, the last of the shortlist for the 2018 Walter Scott Prize for Historical Fiction, it’s time for my feature where I explore whether the judges got it right. The winner for that year was The Gallows Pole by Benjamin Myers, so I think I’ll start with that one.
Myers’ novel was based on true events, charting the course of a group of 18th century coin clippers and counterfeiters who organize their remote Yorkshire valley around this activity. This novel is lyrically written and atmospheric, but I didn’t like its brutality or its faint favoritism toward the criminals.
It is much more evocative of its period, though, than Manhattan Beach by Jennifer Egan, a disappointing novel by one of my favorite authors. Also a tale featuring gangsters, I didn’t feel that it very effectively evoked the time and place of the New York naval yards during World War II.
Miss Boston and Miss Hargreaves is Rachel Malik’s touching exploration of the mysterious life of her grandmother that is also set during and after World War II. I found it much more evocative in its setting on remote British farms but maybe a little slight compared to some of the other novels.
A certainly atmospheric novel that was cold and creepy was The Wardrobe Mistress by Patrick McGrath. Poor Joan Grice is just mourning the loss of her husband when she makes a horrifying discovery about him. This novel is set just after World War II.
I liked Sugar Money by Jane Harris a lot. I especially liked its sprightly narration by Lucien, a 13-year-old slave who is sent with his brother on a dangerous mission. I felt it was much more realistic than many other novels I have read lately about the evils of slavery.
At times when I am doing this feature, I realize that I don’t like very many of the books. In this case, I really liked four of them, so my choice is simply based on which one I liked most. That one is Grace by Paul Lynch, about a young girl who must fend for herself during the Irish famine. It’s a harrowing story, told in beautiful, mesmerizing prose.