The novel selected for me by the latest Classics Club Spin is The Wise Virgins by Leonard Woolf. This semi-autobiographical novel is partially about the courtship of Leonard and Virginia Woolf, in the characters of Harry Davis and Camilla Lawrence.
Harry and his family have just moved to the London suburb of Richstead and are shortly befriended by the Garland family, which has four unmarried daughters. Harry is disdainful of life in Richstead and of the fates of the spinster daughters, given up to good works or golf and tennis. The youngest daughter, Gwen, is naïve and gives undue weight to his discontented utterances. He amuses himself by giving her books and plays to read of Dostoevsky and Shaw.
In his art class, Harry is drawn to Camilla Lawrence, a cool beauty. When she invites him home, he finds it one of ideas and stimulating conversation. Camilla has suitors, but she is less interested in marriage than in a quest for self-fulfillment. She is repeatedly alleged to be passionless.
This novel was considered somewhat shocking in its time but was notable for examining the fates of conventional young women in Edwardian England. Harry is not a likable hero nor is Camilla very knowable. I personally did not like their glib and superior dismissal of whole classes of people. I always imagine the Bloomsbury circle snidely sniping at everyone else (and behind each other’s backs), and this novel didn’t make me rethink that idea.
This is probably taking the novel out of its time, but simply the continual reference to unmarried women by Harry as virgins irritated me to no end. He is so superior and supercilious. The introduction to the book says that “virgin” was synonymous with unmarried woman to Edwardians, but clearly for Harry there’s a sneer involved. One article I read calls Harry a truth-teller, but some of the things he says seem only designed to stir people up and make him seem more like eighteen than twenty-eight. Also uncomfortable for modern readers is the antisemitism that is accepted unquestioned by Harry and his family, who are Jewish.
Finally, there are lots of references to talking in this book, and for people who are looking for a purpose in life besides marriage and other predictable fates, they aren’t doing much actual acting. I think Woolf is pointing that out, though, by the chapter headings.
Interesting! I’d never even heard of this. But your description makes it sound like its interest is more as a roman a clef than as a work in its own right. But might still be interesting as that.
It’s possible that I was irritated by some minor issues.
I would be irritated as well. I disliked The Awakening for similar reasons, finding it dated.
What I found disappointing about The Awakening was the cliche of her getting involved in the way she did with men.